On The Drama Skit In The CCTV Spring Festive Gala From Aesthetic Culture

"Xiao-Pin",originally was a Buddhist term.It was widely used in the field of literature and art later."Xiao-Pin" is called drama skit,and raged as short drama examining students' performing abilities in drama field.In these fields,"Skit" has always been "non-official" or "unofficial".CCTV Spring Festival Gala is a "national evening party",and drama skit is the most narrative and comic program of all the CCTV Spring Festival Gala programs,so it has become an excellent carrier for grand narratives.As a result,That the drama skit's value orientation has undergone a fundamental change.According to the main idea and value orientation,the drama skit in CCTV Spring Festival Gala can be divided into three categories: "instrumental drama skit","critical drama skit" and "entertainment drama skit".Correspondingly,there are three different aesthetic cultural paradigms: aesthetic tool paradigm,aesthetic criticism paradigm and aesthetic entertainment paradigm.The aesthetic tool paradigm points to the government level,the aesthetic criticism paradigm is directed at the social moral and ethical level,the aesthetic entertainment paradigm refers to the "super ideology" which is neither political nor preaching,but it doesn't means "without ideology".In short,there is no essential difference between the three aesthetic paradigms.The cultural role and function of the drama skit are different from different perspectives.From the stand of the semiotics,it's a symbol the representing the modern nation;From the perspective of mass cultural,it's a entertainer cater to people's needs;From the point of view of Gramsci's theory,it's a field of negotiation.Add up,in the laughter of the drama sketch,there was always a"country present".It is the drama skit's Achilles heel that increasing official discourse and ideology.