| China has long been a process thought,"close to good" thought as the process of creation view,it is the embodiment of the spirit of "nature and humanity" deductive and,shows an attempt to fully grasp,coordinate the relationship between all things.Among many technological creations,Chinese porcelain has its inherent charm and functions to show the connection between social life and social development and time change in ancient China.Longquan celadon is a major feature of Chinese porcelain,and it has become a symbol of Chinese culture.After thousands of years of inheritance,longquan celadon has formed a unique traditional firing process.Longquan celadon has carried China's extensive and profound culture in its long development process,and has been carrying on China's traditional craft thought with its unique art form.Thoughts of longquan celadon,with China's ancient art has been both spiritual production and material production,and will trend through different forms of art in the age of different.Longquan celadon has derived its own unique artistic value by developing and inheriting the traditional Chinese craft idea of "harmony for good".In this paper,the traditional artistic value of longquan celadon is taken as the entry point,and the art theory is applied in this paper,and the comprehensive study of the longquan celadon in zhejiang province is carried out.Combined with the new era of environment of the traditional art of longquan celadon value has carried on the objective evaluation,and the opportunities and difficulties of the development of carding,summarizes a series of that conform with the Chinese culture construction,make its in the development of new circumstances and opportunities coexist,allowing them to better development.The text is divided into four chapters:First chapter,the thought of China traditional process,summarizes the essence thought "for good",and "close to" the idea for the finishing,described its origin,main idea and pursuit.At the same time,a large amount of literature has been compiled to demonstrate its importance and status in the traditional process thinking.In the second chapter,the author discusses in detail the previous life and present life of longquan celadon,and studies the geographical and historical situation of longquan celadon.The contemporary development of longquan celadon is also discussed in detail.The third chapter,the firing process of longquan celadon has carried on the comprehensive study and thorough investigation,this paper discusses the longquan celadon of the entire production process and production process,also through the appreciation and analysis of the longquan porcelain series,burn of longquan celadon techniques are summarized.In the fourth chapter,this chapter focuses on the inheritance and display of longquan celadon to the traditional Chinese craft idea of "harmony for good".First of all,the combination of the artificial artificer and the natural interest is discussed through the rich variety of modeling and its natural integration.Secondly,through the richness of the decorative pattern theme and the uniqueness of the decorative techniques of longquan celadon,this paper discusses the dynamic and interesting nature of longquan celadon decoration.Finally,through the unique glaze color of longquan celadon and its reflection on traditional culture,the harmonious coexistence of its material form and connotation is discussed.The above presentation of the traditional Chinese craft thought of "harmony for good" reflects the expressive and formal beauty of longquan celadon,and also reflects the value of longquan celadon to "truth,kindness and beauty".The fifth chapter analyzes the difficulties encountered by longquan celadon in its current development,and puts forward a series of solutions to its difficulties,that is,how to make a good connection between tradition and contemporary times.In the end,the future development trend of longquan celadon is proposed. |
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