On The Transmutation Of "Local Art" In Sichuan Fine Arts Institute

This paper mainly combing and analyzing the "local art" of sichuan academy of fine arts in recent 30 years.The "local art" of sichuan academy of fine arts underwent three kinds of transmutation: the first kind of transmutation is the rural theme from the clear and clear peasant theme to the fuzzy rural area;The second kind of transmutation is the transformation from a single painting form to a pluralistic image art,multimedia art and social participatory art.The thesis mainly follows the following three theoretical clues: first,the "local art" of sichuan academy of fine arts is put into the sociological perspective.Second,taking the discourse of the deconstruction of "art" from "easel painting gradually developed in the form of" to "social participatory art" the phenomenon,in the form of"native art" process of constant development,actually is a process of constantly being"deconstruction",when art intervention in the vernacular,more have a lot of typical characteristics of deconstruction,namely,openness and no end;Third,it is pointed out that the development of the local art "social significance is to renew the folk" culture ","art" of deconstruction process is actually a process of renewal and reconstruction,is the orientation of reconstruction and more updates.The development of "local art" is closely related to civil society,and civil society is the source of local art creation.Therefore,the reconstruction and renewal of cultural folk is particularly important for local art.The creation of "local art" in sichuan academy of fine arts for many years is to draw nourishment from the civil society and create a large number of works with important value of contemporary art history.