A Research On The Names Of Ci Poems In The Tang And Song Dynasties

This paper analyzes and studies the names of more than 900 Ci poems in the Tang and Song dynasties.Centering on Tang and Song Ci poems’ names,the main contents are divided into three chapters: naming,evolution and aesthetics.The first two chapters have carried on the statistics and the pertinence analysis to the Tang and Song Ci poems’ formal names and aliases.The third chapter focuses on the aesthetic characteristics and literary value of Tang and Song Ci poems’ names in the process of naming and evolution.Under the cultural and historical background of Tang and Song dynasties,combining with the development of Tang and Song Ci,it can prove the literary aesthetic value of Tang and Song Ci poems’ names.The first chapter classifies and statistics the categories of things in the names of Tang and Song Ci poems.It is found that the number of Song Ci poems’ names are much more than that in Tang Dynasty,and the kinds of images used are more varied.In the process of development,the names of Ci poems in the Tang and Song dynasties gradually showed the tendency of detailed and elegant,which reflected the change of the identity of Ci poets and the change of aesthetic pursuit under the transition of the times.The second chapter,taking the phenomenon of multiple names as an example,examines the evolution of the names of Ci poems in the Tang and Song dynasties.Through the statistical analysis of the data,it is found that:First,most of the Tang and Song Ci poems have aliases,but fewer works using the alias is normal.Second,the use of aliases in the late Tang Dynasty entered the stage of rapid development.Thirdly,the change of Ci’s forms,rhythm,function,communication,and The influence of famous poets and works are the internal motive force and main reason of that phenomenon.The alias phenomenon breaks the shackles of a fixed formal name,so as to reduce the influence of the meaning and emotion of the formal name on the writer’s creation.The use of aliases brings the names and contents of the word back to a unified state,and draws closer the relationship among the words,thepoets and the readers.The third Chapter analyzes the meaning and aesthetic value of Tang and Song Ci poems’ names,mainly from three parts : the beauty of language,the beauty of sound law and the beauty of content.This paper also explores and analyzes the special expression of the aesthetic connotation which called "Ji Qu Ming Ci",and finds out the characteristics and value of them.The linguistic beauty of Tang and Song Ci poems’ names are mainly embodied in its image and lyricism.The beauty of rhythm includes the pronunciation of tone and rhythm,and the voice of the people can imagine by the name.The beauty of content is discussed in terms of the images and themes used in Tang and Song Ci poems’ names,and three different styles are found:simple,gorgeous and elegance.Both the beauty of language and the beauty of rhythm belong to formal beauty,so the names of Tang and Song Ci poems are the perfect combination of form and content.