The Construction Of General Liu's Faith And His Ritual Performance

To idol worship and belief of geographic boundaries for regional patron faith and the basic features of our traditional Confucianism,Buddhism,Taoism and other mainstream religions is very different,its strong utilitarian and ceremony of informal for grassroots social people provided is sufficient to create space,at the same time and at the bottom of the people in the social structure corresponds to the social psychology,social spread widely accepted and,since the song dynasty,the central plains dynasty to maintain its ruling order,positive ChiFeng folk deities to strengthen grass-roots social cultural identity,regional patron faith get larger development.General liu believes in the belief of a regional patron deity in zhuanglang county in gansu province,whose archetype is the real historical figure of the northern song dynasty,and is admired by the people for the construction of the city of "shui luo city".The most representative ritual of the twelfth lunar New Year is a festival for the people of the whole city,and its prosperity and solemnity have always been popular with the people in surrounding counties.Based on the general belief of "overall social fact",liu tries to present the folk belief in the formation and evolvement of the regional patron faith in grass-roots society,and to make the structural interpretation.General liu's image building has experienced a bottom-up folk stand shrine with top-down official ChiFeng two phases,resulting in the folklore and historical text from folk narrative and historical narrative of liu Shanghai two image.Liu general belief in the process of historical development of space field after several ups and downs,but its image has been constantly enrich cultural connotation and rituals,gradually formed its anticipating today ping shan,brave temple to temple and the service space of the cabinet of the trinity,and enjoy the horse god,temple fairs and tour events,and a series of ritual festivals represented by the regional patron saint belief system,ritual ceremony and festival which together form the public life of faith for the center with liu general belief space,is the social structure in different classes and role performance and the result of the game,while the ceremony for the interactions between these roles provides a performance stage.Through its ceremony performance,a look at different periods of state power is how to use the ubiquitous "national symbol" folk belief in the social control at the base,but also reflects the social interaction of different roles in the ceremony at the grass-roots level and folkelite game-whether it's through the control of the master of ceremony competition in order to realize its for voice;Still,the people in the "sacrificial circle",through a "community" composed of anti-structures to express the order pressure of the daily life world,are the projection of their own group demands in the ceremony.This article will be discussed from the following parts: the introduction part,introduced the domestic and foreign folk beliefs,of the current state of research on the definition of general liu "regional" guardian spirit of faith and worship circle "" concepts,and explains the research train of thought;The first chapter will serve as the ethnography of general liu's faith,from historical narration and folk narration,to the transformation of "liu hu" to "general liu";In chapter 2,through the system,the time and space in general liu's faith is displayed,and the three-dimensional representation of general liu's belief plays an important role in the people's faith in the people's faith.The third chapter from the perspective of ritual performance on liu reflects the social structure in the general belief of different levels of interaction is analyzed,with its ceremonial role to the ceremony,describes the general liu beliefs built worship circle structure.