The Research On Hirokazu Koreeda's Film Style Rheology

In the 1990 s,various countries and regions in Asia set off a "new wave of film." Japanese films also stepped out of the trough of the 1970 s and 1980 s and started the "Japanese New Movie Movement" which gave birth to Takeshi Kitano,Shunji Iwai,Masayuki Suo,Hirokazu Koreeda and a number of other self-styled young directors.These directors who are responsible for screenwriting,directing,video editing usually focus on the daily life of the individual,returning to the simple and gentle.Their image styles tend to be life-style,and they have innovated the traditional Japanese film with brand-new movie concepts and creative perspectives,and have promoted the Japanese movie recovery.Hirokazu Koreeda is one of the representative directors of this "Movie Revival".He is best at dramas based on the "family".His works follow the traditional Japanese family type.He is good at using documentary shooting techniques and original realist family stories.Film topics often involve life,death,memory,and individual survival.Such social motifs have inherited the concept of a family with a rich sense of life in Japanese traditional films.They examine the intimacy of modern Japanese families and the complex contradictions of modern people with a calm and restrained perspective and time-sensitive images.Inner world.His works have gradually become the Cross section of the study of Japanese middle-lower families.The image reveals the sociality and gentle personal feelings.From Hirokazu Koreeda 's debut of,<Illusion> in 1995 to <The Third Murder> in 2017,his image has undergone a change in style and expression,and the overall change coexists with Gradually turning.The overall process has more obvious stages of demarcation,and in the later works still adhere to the lineage of family motifs.This article takes director Hirokazu Koreeda 's video works as research texts,focuses on its rheological process,explains the film cognitions and concepts presented in each period's works,explores the rheological characteristics of staged video styles,and presents a film exhibition to Koredia director.The summary of the development path is intended to generate inspiration and reference for the domestic family film creation.This article is divided into five chapters,and explains the process of Hirokazu Koreeda 's video rheology in the context of "an overview of individual creation,the rhythm division of rhythm styles,and the rheological revelation",and summarizes the enlightenment of the film style rheology and image creation.The first chapter is a review of the 20 years of Hirokazu Koreeda 's creative process.It is divided into two parts: “individual and creative” and “learning and influence”.Among them,“learning and influence” mainly summarizes its influence on creative ideas.Several senior directors and producers,relying on the help of these creators,can derive the origin of Hirokazu Koreeda 's creative ideas.The second,third,and fourth chapters are based on the film texts of 14 films and television works(including two television works)directed by Hirokazu Koreeda from 1995 to 2017,and the changes in the style of his film works will be summarized in thesis.They are divided into experimental stages,multiple stages,and mature periods.With the period spanning three periods.Among them,the second chapter mainly discusses the characteristics of the life-giving concept represented in the four films from <Illusion> to <Nobody Knows>,the use of documentary filming techniques,and the features of social manifestation and the frequent awards of works during this period;Mainly discussed from<More Than Flower> to <Miracle>,Hirokazu Koreeda broadened the original social vision,relied on the form of film,try to shoot more diversified themes and themes,in this period,his emphasis on the image The fourth chapter describes the stage features of the series of family films since the <Still Walk>,and from the perspective of the author's theory,the application of the Koreeda director's "personal experience" in the image,in this stage The "Time and Blood" family item indicates Hirokazu Koreeda 's commitment to the family theme at this stage.The extension of the family theme is the interpretation and analysis of the 2017 film <The Third Murder>.This film and the 2018 film <Shoplifters> by Hirokazu Koreeda represent temporary comfort in the future District exploration trends.The fifth chapter mainly explains the inspiration of Koreeda director's video rheological process.Through the study of the evolution of family films in our country's family film creation,we can draw a conclusion that we can pay more attention to originality,family realism,and affection in the field of Chinese family films.Projection and other creative strategies;conclusions of the article summarize the views of this article,summed up the characteristics of Hirokazu Koreeda 's movie rhetoric,argue the point of view of this article.Through the analysis of the changes in the style of Hirokazu Koreeda 's film work,this thesis attempts to analyze the evolution of Hirokazu Koreeda 's style of video works from the angles of authorship,author's film,and Japanese literature "private novels".The characteristics of the period are used for interpretation and analysis,so as to get a more complete picture of Hirokazu Koreeda 's concept of film creation,and to gain insights into current domestic family film creation.