The Spiritual Inheritage Of "Line"

Line In the history of art development and human cognitive history,the role played by a long time is very important and has unique value.It is the most important component of painting and the expression of painting language.The ancient "Cao Yi water","Wu with the wind" line language style.Therefore,this dissertation starts with the unique expression of "line" language in printmaking and discusses the influence of "mid" and "west" art and its typical artists on the practice of printmaking.value.First of all,from the development of "line" language,the development of "line" also has similarities and differences in both China and the West and represents different cultures.People in different languages,the feelings and perception of the line is not the same.The art of calligraphy,for example,does not exist in the West.It is consistent in both China and the West that language is used to form lines.In China,however,the role of language in the rise at the same time as an art,people call it the art of calligraphy.Whether it is the original period of Khosro in France cover or Chinese rock paintings,there are traces of the line,art also stems from this.Provide evidence and support for the inheritance and creation of language art in printmaking.Secondly,through the typical use of the language in the midline of Western art creation and the use of "lines" in Chinese traditional art,this article analyzes the artistic expression of "line" in the east and west.The "line" expression in the east tends to "manifest the spirit." The expression of Western "lines" focuses on "objects of reappearance",and the lines "art in the East and West" have very different ways of expression.Thus effectively elaborates the aesthetic value of the "line" language.Thirdly,this paper takes "Line" as the main argument to analyze and prove the meaning,abstraction and writing of the "line" language in woodcut printmaking.In woodcut creation,Feel the meaning of black and white woodcut in the representative artist's creation;Feel the abstract of black and white woodcut through the works of Dong Fangzhi Gong and Natalia Pallas.Through Chen Haiyan,A Pigeon,Guangjun The three representative artists feel the writing charm of black and white woodcut,black and white on the screen cleverly arranged,originality.Haiyan and A pigeon,through the above examples to analyze the theory of evidence,so as to illustrate the uniqueness of the stylistic language of representative printmaking artists in the process of the author's woodblock printmaking practice and to demonstrate the unique value of the "line" art language in black and white woodblock printmaking.Finally,through the analysis of the value of cultural spirit and value of innovative spirit of "line" language,combined with the strong contrasting effect of black and white language in practice and the use of styling language in "black and white woodcut creation" by "line",and combining with the traditional Chinese modeling language,Modeling,looking for style matching black and white language,trying to be innovative.Demonstrate the Unique Value of "Line" Language in Woodblock Printmaking.While exploring the woodcut art language,we should pay attention to the research of traditional cultural spirit soil and other excellent cultures.Through the refinement of objects,the creation of the individual schema symbols,the perception of life and the manifestation of life are sublimated into a kind of spirit Meaning,thus gaining a universal,cosmopolitan,expressing deep self.So that the works reflect their own emotional spirit,a deep understanding of the commonality of the world woodblock prints,more of the spirit of the times,a carrier of human spirit and culture.