The Imagery Narrative Study Of Literary Classics In The Visual Culture Era

We are in an era of visual culture.This is already an indisputable fact.Visual images have fully penetrated into every area of people's daily life.In particular,with the development of modern information science and technology,and the increasing maturity and wide application of Internet technologies,visual images have rapidly become aspirations through various digital,networked,and virtualized emerging media.People's "eyeball" new things,and thus become the current mainstream of social culture.While visual images enrich and improve people's lifestyles,broaden their horizons,and change people's traditional ways of viewing,they have undoubtedly made significant changes in people's aesthetic and aesthetic concepts.Our way of thinking is more visual than ever before.And senses.Just as the development of visual culture has become a dominant culture in human cultural life,our thinking style,cognitive ability,life experience,and cultural situation have also produced unprecedented changes.As far as the field of literature is concerned,literary classics,as the main carrier and an important part of traditional culture,also present a series of new features in the visual culture era in which images are the cultural bearing paradigms.The research objects and research subjects of this article are literary classics,and examine the imagery trends and image narrative patterns of literary classics in the context of visual culture.This contrasts with the research paradigm that used to emphasize the aesthetic self-discipline of literary classics.This paper discusses the external factors that influence the generation and development of literary classics,and grasps the new features presented by literary classics in the context of visual culture.The article is mainly composed of six parts.The specific ideas are as follows:The introduction part is a review of the ancient topic of “literary classics”,which mainly includes the origin of the study of literary classics.Research status and research ideas.The origin of the research includes three levels of meaning: First,the literary classics have a strong national culture connotation,is a carrier of national aesthetic values,the study of the classics for the inheritance and development of national culture is of great significance;Second,at present The study of literary classics undoubtedly has a special value of the times.In particular,the study of literary classics is the prerequisite for solving the "anxiety disorder" of contemporary Chinese literature,as well as the response to the current literary classics and the development of literature and art Thirdly,judging from the status quo of research,scholars in the field of literary classics focus too much on the concept of classic,on the nature of discrimination,the impact of classical factors of production and so on,although these are the basic topics of classical literature research However,under the visual cultural context of “image explosion” and “image expansion”,the basic appearance of literary classics or the ontology of literary classics has undergone major changes.Therefore,based on the visual culture,this dissertation makes a basic review of the classical problems such as classics,classics and classics,and carries out the research on the hot issues such as the image representation of the literary canon and its logical motivation,the image narration of the literary classics A discussion with the times.The first chapter is about the etymology of the word "classical",on the basis of which,it summarizes the basic characteristics of the classic,that is,the classical problem,and finally analyzes the classic mechanism of generation.What is classic? Whose classics and who constructed the classic? What are the characteristics of classic? These are all unavoidable issues in the study of classics.There are many classic classics in the history of Chinese and foreign literature,and whether or not they become classical literary standards can not be measured by the quantitative standard of value.However,this can not be regarded as a classic that is illusory and indefensible.The classic is the generation of the classic is the result of a variety of complex factors together,the manipulation of political power discourse and ideology is an important impetus to the classic generation.The writing of literary history and literary anthology provides an important opportunity for the formation of the classic.The reading acceptance provides an important reference for the generation of the classic.In addition,certain cultural contexts and literary awards mechanism have a significant impact on the generation of the classic.The reason why classic can be era after the panning,spread throughout the ages,its essential nature that is classic can not be ignored.The second chapter is about the trend of visualization of literary classics in the visual culture era and its logical motivation and reading turn.The visual culture era is coming from literary classics in many aspects.Due to its innate physiological level and the presumed psychological presupposition,the image is squeezed from the traditional literary classics with the carrier of characters.The development of online media,the update of digital technology and the popularization of mass media make the literary classics The trend of image becomes more obvious.Literary classics enter into the industrial chains of online games,film and television culture.Specifically,there are three major representations: the pictorial culture of literary classics,the visualization of classic literary texts and the online games of classical literary masterpieces.What needs to be clarified here is that the influence of the image of literary classics on the literary classics can not be considered negative only.The image also provides a brand new aesthetic space for the classics,with the symbiosis of words and images,the mutual infiltration of literature and images,and the enrichment of classics The aesthetic implications increase the thrill of reading classics.The classic trend of this image has a strong internal and external logic,the emergence of consumer culture and the arrival of the image age provides an economic factor,the reader's visual appetite for the instinctive needs and aesthetic changes is the intrinsic motivation,the electronic media The development and the rise of the mass media provided technical support for it.Lastly,it brings readers three major aspects of reading,from the reading experience,from "contemplation" to "a moment of experience",reading objects,from "imagery taste" to "video browsing",the nature of reading Look,from appreciative reading to consumer reading.The third chapter is the discourse superiority and limitations of the narrative of literary classics in the visual culture era as well as the operation mechanism of "graphic" intertextuality.The image narration has the inherent visual superiority.In literary and cultural context,the literary classics are imaged and presented A typical trend of image narration.The advantage is that the visualization of the image provides the advantage of the narrative for the classic image narration.The metaphoricality of the image symbol provides the ontological superiority for the classic image narration.This metaphorical combination with the multiple interpretive space of the classic itself makes the literary classics An endless literary text,and the multidimensional perspective of accepting and interpreting the image symbol undoubtedly provides an advantage for reading acceptance of the literary classics.The multidimensionality of the subject of image reception and the metaphoricality of the image ontology make the image narration or image criticism of the literary classics have a richer meaning.However,dialectically speaking,there are some limitations on the image narration and discourse criticism of literary classics.The distortion of "authenticity" and "depth significance" and the distortion of "artistic normalcy" are the main problems of the existence of literary classics.Finally,from the perspective of the relationship between the development of literature and images,it is impossible for the images to completely replace the texts,nor can the literary classics lose the "glow" under the running of the images,and the intertextuality toward the "graphic" should be the healthy development of the literary classics The inevitable trend.Chapter IV The debate and fate of literary classics in the era of visual culture is a response to the current voices of academics about the future of literary classics and literary development.The question of why Great Times is hard to find a great work was published in Guangming Daily and many academic experts expressed concern about the current Chinese literary creation.As a synonym for "great works",literary classics did not cause people to ponder over the current lack of contemplation.In fact,Marx did not have to be overly pessimistic.As early as Marx's "Introduction to Political Economics Criticism" in 1857,it demonstrated in more detail that "material production And the imbalance of spiritual production." The literary "end" or "death" comes from Hegel's "theory of the end of art",which can not but be reminiscent of Nietzsche's drink and drink,"God is dead," and spread in the Western theoretical community,"the author died "," End of Literature " pessimistic tone.However,the ultimate question of J.Hillis Miller,a famous contemporary scholar in the United States,is "literature dead?" It has been repeatedly mentioned and become a talk of scholarship.In this era of ever-changing,we have to reflect on the literature really into crisis? Classic as a literary boutique,in the visual culture era really dead end yet? Our answer is "re-classical" and "pan-classical." Since the influence of visual culture on the literary classics,it is unnecessary to say that classical texts have different artistic styles and literary appearances in the visual culture era.The conclusion is mainly a response to the full text,in order to play the meaning of the death chapter was ambitious.Literary classics in the era of visual culture will inevitably be influenced by the culture of the times,and the construction of the ideal of "illustrated by text" and the poetic criticism of "Intertextuality and Intertextuality" should be the destination and purpose of the construction of literary classic poetics.