On The Evolution Of Ding Ling's Proselanguage Mode In Yan'an Period

Ding Ling is one of the creators of Yan'an Literature and Art.She has an indispensable position and influence on the development and construction of Yan'an Literature and Art.Ding Ling is famous for her novel in modern Chinese literature.In the past,most scholars paid attention to her novel,but neglected the study of her prose.In fact,Ding Ling's novel and prose convey two different literary and artistic views in her literary creation.The former expresses her attitude towards revolution in the form of fictional story plots,while the latter shows her transformation of literary and artistic views in the form of direct expression and ideological and emotional attitudes.Ding Ling published a series of proses about "individualism" in the early stage of Yan'an,such as "Feelings on March 8th Festival","We Need Essays","Satire" and so on.These proses conveyed Ding Ling's propaganda of "individuality",collided with the new political ideology under the national discourse,and thus appeared "alternative".In the later stage of Yan'an,Ding Ling consciously avoided literature.The individualized thought of creation devotes itself to the revolutionary literary creation team with the political enthusiasm of a "female soldier".It can be found that although there may be some kind of continuous connection between novel language and prose language,prose language has higher authenticity,can directly reflect the writers' literary and artistic creation view at that time,and has high research value.From the perspective of language,this paper attempts to explore the transformation process and artistic characteristics of Ding Ling's prose in Yan'an period,and to re-examine the literary value of her prose in the light of the historical context at that time.This paper is divided into three chapters.The first chapter studies the free relationship between Ding Ling's personal discourse and national discourse in the early Yan'an period.Before Mao Zedong delivered his Speech,his "personal" discourse was alienated from the "national" discourse under the new ideology.A series of "alternative" articles appeared,which were not conducive to the United Front.They exposed and satirized the undesirable phenomena in the revolutionary ranksmore in the form of essays,and overemphasized the "subjective spirit" of human beings,which was obviously in line with the politics of the Liberated Areas.Conflict occurred.The second chapter studies Ding Ling's transformation from personal discourse to national discourse under the political norms.Ding Ling's prose is of two different styles in the early and late Yan'an period.After the speech was published,Ding Ling began to draw close to political consciousness with the intellectuals' consciousness and initiative,to reduce the status of intellectuals and to learn from the people,and gradually to eliminate the estrangement and generation gap with the common people.During this period,her prose creation began to turn to eulogize the masses of workers,peasants and soldiers enthusiastically,satirize and expose the dark side of the Kuomintang,assume the political responsibility of literature,and stitch up the free relationship between individuals and revolutionary collectives.The third chapter analyses Ding Ling's linguistic features after her enthusiastic acceptance of national discourse from the perspective of "national form".Although she did not directly participate in the discussion of "national form" in the1940 s,her linguistic style was also influenced by these controversies.Ding Ling "weeded out the old and brought forth the new" in folk discourse,and created a popular and national discourse through continuous refinement and processing.Language organically combines the popularization of literary language with artistry.