Research On Freehand Figure Painting Of The Two Song Times

The Song Dynasty(960-1279)is divided into two stages: the Northern Song Dynasty and the Southern Song Dynasty.It is a Dynasty inherited from the Five Dynasties and Ten Kingdoms to the Yuan Dynasty.It lasted 319 years and produced eighteen emperors.In 960 ad,the famous Chen bridge mutiny took place in the history of Zhao Kuangyin.The Song Dynasty,whether in commodity economy or in culture and education,was at the leading level in the world at that time,and had a strong atmosphere of innovation.Although most of the later generations only remember the prosperity of the Tang Dynasty,in fact,the prosperity of the Song Dynasty was far greater than that of the Tang Dynasty,which also created conditions for the development of art.Liang Kai,Shandong people,birth and death is unknown,he is an alcoholic,and was known as not to stick at trifles,"Liang madman".He is a prominent China Southern Song Dynasty freehand ink painting artist,created a "splash ink" freehand brushwork of the unique style of painting.His paintings in the Southern Song Dynasty painting even in Chinese painting history is he creative become an independent school,created two kinds of ink painting style,is a "simple",the other is the "splash ink".His painting to find a balance point between the time of the Song Dynasty painting and literati painting,he put the original works of art style,carry forward I often,etc.A series of excellent artists are affected by Liang Kai in the art of creative thinking.It can be said that Liang Kai is the pioneer of China freehand ink painting,has a profound influence on later generations.But he in the early days of the figure painting,there are very strict and delicate works depict the posterity,such as now ?yellow court statue Map ???eight monk story map ?depicting meticulous work,these two works fine clothes and manner character portrayal,quite a few figures in the Tang Dynasty painter Wu Daozi " excellent drawing skills and elegant style " weather,thus Liang Kai early in his artistic creation is very profound traditional skill of painting China There is an unusual understanding of the usage of the line.This paper is mainly through the in-depth study on some problems of the Southern Song Dynasty painter Liang Kai to analyze the cause of Liang Kai's artistic style and his painting history.The first chapter is a general overview of the SongDynasty painting,mainly discusses the development process of the Song Dynasty court painting and body painting-Institute;the second chapter is a monographic study of Liang Kai freehand painting,mainly from Liang Kai's life,as well as early,mid to late three,appreciation,different period of freehand figure painting works to the profound analysis of Liang Kai in different periods of art style.At the same time,this chapter also relates to the Zen thought of Liang Kai art the creation of the deep effect.The third chapter is Liang Kai's representative work ink immortal figure appreciation,respectively from the creative background,performance techniques,and the status of the painting in the painting history of the Song Dynasty and the influence on the creation of the later figure painting to discuss.The fourth chapter is an exploration of the influence of discourse analysis,discusses the impressionistic thought in Song Dynasty the establishment and creation of later figure painting.The painter Liang Kai inherited the Sui and Tang Dynasties,the five generation,the Northern Song Dynasty tradition,and literati painting style.We can get a clear understanding of his painting is not only the name of painting Xinjiang profit lock,nor release with the literati painting,his painting style is another style between painting and literati painting,bring a new fashion to freehand figure painting.His works,with simple,large sway,the pursuit of artistic conception from outside the physical,as the ancient art treasures worth learning and imitating,on Contemporary Chinese painting creation still has important guiding significance and EnlightenmentIn 2001,China formulated the "Compulsory Education of National Fine arts Curriculum Standard(experimental draft)"(hereinafter referred to as the "standard").In the first part,it is clear that " the aim of this curriculum reform is to change the simple construction of the ideas and methods of curriculum knowledge system.Therefore,this "standard" is divided into four learning areas,like "modeling and performance","design and application","appreciation" and "comprehensive exploration",which shows that "design and application",one of the four major systems of compulsory education curriculum standards,has been paid attention to by our country.