A Study On The Consciousness Of Flatness In Bonnard's Painting Language

In the late nineteenth Century,Impressionists started the transformation of the art of painting,subverting the formal language of traditional painting,showing the artistic purpose of artists at that time?The development of the Impressionist school has changed the traditional aesthetic of the artists and opened up the vision of the artists.Post Impressionism,Cezanne,Van Gogh,Gauguin,Japanese Ukiyo-e,a different style of Post Impressionism,plane painting language began to appear on the stage of history painting.Nabis resulting,representative Pierre Bonnard,uncertain environment is good at depicting everyday life in the canvas with colors,with the quiet and refraction inner world of objective things after the deformation.Bonnard's painting is not a simple color stacking and the random arrangement of picture content.It is a "deformation picture" of "storing" objective environment under the control of subjective vision.In memory,the picture is repeatedly deformed and the result is obtained.Such deformation,including the "objective deformation" and "subjective deformation",also includes the deformation of the composition and the deformation of the color.Therefore,Bonnard's painting art has distinct personal characteristics in the history of painting.On the basis of previous studies,the author tries to analyze Bonnard's application of plane consciousness from three aspects of composition,color and subjective feelings,and comprehensively analyzes the uniqueness of Bonnard's painting art.The first aspect is to describe the establishment of the plane consciousness in the western modern painting art.During the European Renaissance,the rise of perspective,add lustre to the art of painting,artists follow the scientific perspective images depict objective three-dimensional space on a two-dimensional plane.Impressionist before the Barbizon school,is the use of perspective,the relationship between light and shadow painting science.But in the Impressionist reform,especially the post Impressionist transformation,it abandoned the restriction of scientific perspective and pursued subjective performance,which greatly weakened the limitations of artists' description of objective objects.In the second aspect,the reasons for the formation of Bonnard's painting language are analyzed.From the three aspects of composition,color and subjectivity,it reveals the characteristics of Bonnard's art of painting.Especially in composition,Bonnard used different ways to pursue the effect of planarization,which is different from traditional painting art.Third,analysis of the Nabis another painter Vial,fromVial's point of view,the force performance is not the same as the plane of painting language,comparative Bonnard paintings,analysis revealed that in the similar object under the premise,Vial uses the glue painting method,showing another feeling of color,and thus the interpretation a different picture atmosphere.This is more perfect for the study of painting planarization.