The Style Of Artistic Conception—Study On The Thesis Of Si Kongtu Poetry

Si Kongtu is closely related to the study of artistic conception through his poetry thesis.From his ideas of "thinking and circumstance","images outside the elephants,scenes outside the scenes","the purpose of the tastes outside",and "the outside of the rhyme",it can be seen from his poetry thesis on the conception of artistic conception.And its details.His poetry thesis theory has a very important enlightening effect on the "dislike" of Yan Yu in the Song Dynasty,the "spirit" of Wang Shizhen and the "artistic" of Wang Guowei.Artistic conception is one of the important areas in Chinese classical aesthetics,and it is also a kind of aesthetic form.Artistic conception and style are two concepts that are both connected and different in poetry appreciation.Starting from the essays of Sikongtu poetry,the concept of conception and style can be used to summarize the experience of the predecessors in creating artistic conception in a broader scope,and to explore the relationship between the artistic conception and style of Sikongtu poetry."Twenty-four Poetry" also occupies a very important position in the discussion of artistic conception and style.The division of its theoretical nature has always been one of the main aspects of academic research,so the theoretical nature of "The Twenty-Four Moods of Poetry" It is necessary to classify the nature of each product.In order to classify the theoretical nature of Twenty-four Poems and to strengthen the analysis and research of the nature of these poems,it is necessary to study whether the author of Twenty-four Poems is Sikong Tu.On the basis of the author Sikong Tu,this paper analyses the poetic theory embodied in other works of Sikong Tu,and classifies them through the characteristics of artistic conception.From the perspective of artistic conception characteristics,this paper divides the theoretical nature of Twenty-Four Poetry Pieces into three parts: the display of artistic conception in time and space,the criteria for the division of aesthetic forms and the aesthetic characteristics of artistic conception.This paper expounds the theoretical nature of Twenty-Four Poetry Styles from a new angle of combining Sikongtu's theory ofpoetry with the characteristics of artistic conception,and classifies them.It is innovative to put forward three types of the nature of each character in The Twenty-Four Poems: the style aiming at creating artistic conception,the style not aiming at creating artistic conception,and the artistic conception with style.Each of the 24 works represents a style,among which the characteristics of "vigorous" products with artistic conception can be classified as a kind of artistic conception with style;"refinement","meticulousness","reality","description" four works are more related to creative methods,the main purpose of which is not to create artistic conception,so they are not classified as the style of creating artistic conception;the other 14 works with the purpose of creating a certain artistic conception are not like.“ "Vigorous" accords with the characteristics of artistic conception,so it belongs to the category of artistic conception style.