Taoism Virtual Contemplation And "twenty-four Of Poetry"

On the Qin Dynasty, the research of The Twenty-four Poetry Style made great achievements in theory. A number of notes and commentary works on it laid a good foundation for later study. In the 20th century, the study of The Twenty-four Poetry Style came to a climax. On one hand, a large number of theoretical works have been brought forth. On the other hand, many papers have been published in relevant newspapers and magazines. The contents of the Twenty-four Poetry Style are about the theory of poetry, aesthetic ideology, system architecture and the study about its author. We can say that the research of The Twenty-four Poetry Style has yielded fruitful results. This paper bases on the fusion of The Twenty-four Poetry Style in the Taois"tVoid and Quietness"theory. And there are two parts: the analysis of the Taoist"Void and Quietness"theory and the analysis of Taoism in The Twenty-four Poetry Style."Void and Quietness"is an important concept in the ancient Chinese philosophy and literary aesthetics. Though people in the pre-Qin period had the explanation about concept, Taoist doctrine of"Void and Quietness"exposition is the most complete. First, Laozi proposed the enlightenment called Void and quietness. Then Zhuangzi inherited the thought. He thought that Void and Quietness is not only a method of enlightenment, but also an important theoretical basis of self-cultivation life.This paper based on the discussion of Taoism. First, begin with Taoist concept of enlightenment, the author talks about the way that Laozhuang used to discuss the highest understanding of Taoist philosophy of"Road"---"Void and Quietness to enlightenment."Second, on the concern in life, Taoism takes a different path from the Confucianism and Monism: it doesn't pursuit fame or other material, but of people's selves. People are asked to relinquish title, from temptations, and to live in a real life. So"Void and Quietness"plays an important role in individual accomplishment. And also, when virtual quietly roses to the aesthetic level, it becomes the building of aesthetic mood, including the living environment, routine and so on. They all play an important role in the aesthetic mood created.The Twenty-four Poetry Style is signed by Sikongtu who lived in the Tang Dynasty. Based on the life of Sikongtu , this paper talks about the impact of Taoism on The Twenty-four Poetry Style. First, the Taoist concept of enlightenment"Void and Quietness"formed the aesthetic ideal of The Twenty-four Poetry Style. The aesthetic ideal of calmness in The Twenty-four Poetry Style is the pursuit of natural aesthetic style. While the poet desires no arrests in praise of life, he is to comply with natural, not to advocate artificial carving. Second, the emptiness of Taoism is the main creative source on the theory of The Twenty-four Poetry Style. The Twenty-four Poetry Style emphasizes the cultivation do our inaction and natural, void and quietness, so as to link up with the Road. Third, the Taoist aesthetic"Void and Quietness"constituted a The Twenty-four Poetry Style in creating a mood of the Aesthetic Theory. Sikongtu promote poets in everyday life can be"imposed silent, learn from Microscopy","The standing quietly, Immediately Epiphany,"achieve inner world as"empty lake spilled spring, ancient mirror Essence."It also accord to the Taoist"Void and Quietness"aesthetic mood created for the role.On one hand, The Twenty-four Poetry Style conducted a broad system on the predecessors Poetry and Poetics Research, on the other hand, it is a new direction for the later poems, and it made a tremendous contribution for our study of the poem.