Research On Yang Min’s Tui Opera Performing Art

From the 1950s to the present,Tui Opera has experienced two ups and downs in its development history.As a famous performer of Tui Opera,Yang Min has made great contributions to the development and innovation of Tui Opera.This paper makes a systematic study of Yang Min’s artistic practice experience,makes a detailed analysis and exploration of Yang Min’s reform and innovation of four artistic means of singing,reading,doing and playing.At the same time,through Yang Min’s artistic practice,this paper explores how folk songs and dances evolved into local operas,how folk songs evolved into opera singing,and the development process of the transformation from lantern to opera.Taking Yang Min’s stage performance as the research subject,this paper explores Yang Min’s typical and representative artistic practice in the traditional repertoire of pushing drama by means of oral interview and comparative study,and objectively and rigorously evaluates the artist’s performancecreation level.This paper is divided into four parts:The first chapter mainly combs Yang Min’s way of promoting drama art and divides it into three periods:First time on the country stage,elected to the state-owned theatre troupe and return to civil society.It also analyses and summarizes the artistic creation and achievements in each period.The second chapter mainly explores and analyzes melody art of Yang Min,which can be divided into three parts:first,discuss how Yang Min enriches the singing tune of Tui Drama through extensively absorbing the lantern songs of flower-drum lantern and the essence of other brother type of drama,creatively produces new names of tunes,and promotes the development of singing tune of Tui Drama;second,analyze and discuss the characteristics of attractive and layered singing tune of Yang Min;third,expound art style of the changeable and diversified singing tuneThe third chapter mainly explores and analyzes the art of dance figure of Yang Min,which can be divided into two parts:first,discuss the richness and conciseness Yang Min has made in the creation of the art of dance figure from square dance art to drama dance figure,and compare the differences between square dance art and drama dance figure;second,compare the dance art of the flower-drum lantern artist Chen Jingzhi and Yang Min,and discuss the differences between male performing female and female performing female.The fourth chapter explores and discusses character shaping art of Yang Min,which can be divided into two parts:first,discuss the characteristics of personalization and authenticity embodied in Yang Min’s character shaping;second,through Yang Min’s stage performance,explore Yang Mim’s control on especially the details and rhythm in the performance,making the character image created by Yang Min more expressive.In the conclusion part,on the one hand,summarize the performance art characteristics of Tui Drama of Yang Min,on the other hand,sum up the contribution made by Yang Min to the performance of the show and the inheritance of the show.