Music Research In Damien Chazelle's Films

This paper takes music in damien chazelle's film as the research object,summarizes and sorts out the film works of director damien chazelle,and explores the functions and connotations of music in his works in the narrative ideographic system of the film by applying theories of film and television psychology,musicology,aesthetics and semiotics.The double-themed music structure in damien chazelle's film presents the invisible main line,while the multi-themed music structure creates the effect of "scatter perspective",which makes its music frame structure have the artistic feature of "shape disperses and spirit gathers".The director USES the change of music elements to intervene in the narrative space and time,relying on the gestalt psychology to make the narrative space and time gestalt,creates the subjective time with the extreme speed,mends the space and time cracks with the color timbre,and stretches the illusion of space and time with the emotional melody,thus obtaining the expansion of the narrative space and time and satisfying the audience's desire for psychological space.With freehand brushwork in traditional Chinese music notation of shaping dreamer,through the invisible behind the jazz type personality,inspiring lyrics vivid use of the two symbols referring to the statement,shaped the dream of pursuing freedom and musicians and firm faith,by the rhythm of the star,the Chinese go gradually adjusted,and gradually the fullness of the three dynamic music notation,exerts a metaphor of resisting the dreamer,and constantly challenge of dreams and go on the moon.By studying the music narrative and artistic features of damien chazelle's films,the uniqueness of its music application is explored from the perspectives of structure,space and time,and symbols.For domestic genre film creators,it has the learning value of music participating in the narrative mode.