A Research About The Engraved Of Yuan Zhu Wen Type By Chen Julai

Yuan Yu Wenyin mainly pointed out Zhu Wenyin before and after Yuan Yuan.Due to its unique artistic features,it opened its doors to the atmosphere and combined it with ancient Chinese and Indian styles to form the four major parts of ancient Chinese Indian style.Historically known as "Yuan Zhu" and "Zhu Zhu." From the beginning of Yuan Meng,Meng Wen began to write a clear style of seal history for the literati.Although Yuan Yuanren did not imprint his own knife,he handed it to Xiaoyin and Yin Gong as the reason for Yuanyuan Zhu Wenchao.During the Ming and Qing Dynasties,Deng Shiru and his followers established the concept of “printing from the book” in addition to the “chapel style and Chinese style” thoughts,and expressed the most obvious calligraphy director Yuan Yuan in calligraphy and calligraphy.Zhu Wenyin’s printing style is very important.Modern India has made important achievements since Chen Xianlai’s presidency in the Yuan Dynasty.Through combing the development context of Yuan Zhuwen’s development,Chen Julai’s style features and the multiple technical characteristics of his representative works are analyzed.Chen Gulai and Yuan Zhuwen’s analysis and discussion are also theoretical explanations for the exploration of self-style.The in-depth comparison and analysis of Linyi and his works in his practice shows that the importance of Indians in India during the Ming and Qing dynasty was to inherit the style of Chen Ju Lai,to trace the creative thinking of the source,and to better guide the printing style of the verses.Future creation and thinking.