Criticism Of Chinese Contemporary Film Culture From The Perspective Of Western Marxism

With the development of Chinese society,the material life of the people has been improved,the demand for spiritual civilization has reached an unprecedented height.Based on the relevant research results,through the concept of Chinese film culture,contemporary film culture definition from the western Marxism doctrine of the Frankfurt school.On the perspective,criticism of the Chinese contemporary film culture,analyzed the characteristics of Chinese since the reform and opening.Film culture,as well as the development trend and make the criticism of its.This article attempts from the social problems after the Second World War in western capitalist countries in the process of development.China produced after the reform and opening the development trend of China film culture to find out some similarities,China with unique national conditions make a prospect for the China contemporary film and television culture,and puts forward the related countermeasure.This paper is divided into four parts,the first part is to sort out the previous research results of the western Marxism School of Frankfurt,extract the critical theory used in this paper.The second part mainly elaborates the western Marxist critical theory and the correlation of Chinese film and TV culture.First defined the concept of the film and television culture,summarized the development of China's film and television culture since the birth of stage;Secondly this article defined "contemporary" divided by the time,aboriginality was studied for the Chinese film;Finally from the theory of alienation,ideology theory and the comparison of Chinese and western modernity and post-modernity of theoretical feasibility have been analyzed.The third part is to analyze the existing problems of contemporary Chinese film culture with the Western criticism of Marxism theory,from the ideology,popular culture,psychology and aesthetic of contemporary film criticism and reflection China,TV variety and drama problems.The fourth part is mainly based on the contents of the previous criticism.Follow the principle of subjective and objective,the combination of individual and organization,first,to strengthen the government's supervision of film and television production and selective acceptance of foreign film and television culture elements.Second,from the technical and theoretical aspects of the control of contemporary Chinese film and television culture.Third,adhere to the main position of traditional Chinese culture while enhancing the innovation of China's film and television culture and vigorously deepen the reform of film and television culture and ultimately to enhance the international competitiveness of China's film and television culture...