Investigation And Research On The Ritual Dance Of Tatar Festival In Xinjiang

"Saban Festival" is the Tatar of the whole people’s collective participation,without religious color to commemorate the Labor festival,the festival to present Tatar language and writing,music and dance,traditional costumes,traditional cuisine,sports,customs and so on as the carrier,contains a wealth of cultural connotations,is Tatar one of the important ways to protect and inherit the national culture.Ritual dance is an important part of the process of the festival,from the preparation of the festival to the successful conclusion of the festival,ritual dance has always been accompanied by the whole process of the festival,the festival in different rituals will use folk dance performance form to express the love and expectations of traditional festivals.Through combing,analyzing and studying the whole process of the festival ceremony,the author expounds that the ritual dance plays an important role in playing the festive atmosphere of the festival and plays an irreplaceable important role in the traditional dance culture inheritance of Tal.The traditional festival of a nation is the symbol of cultural memory and the link of cultural inheritance.The dance used in the festival also explains the deeper connotations behind the dance and the process of cultural change of the nation.Through the application of folklore,anthropology and artistic knowledge,the author uses the research method of combining theoretical exposition with case interpretation to investigate and analyze the ritual dance of the festival.The first chapter of the thesis explains the historical origin and festival Tatar of the festival,and summarizes the four important meanings and Tatar rituals and dances of the festival in order to provide the exchange platform,cultivate the feelings of the ethnic groups,display the national culture and the national spirit.The second chapter through a large number of field investigation,folk Festival tracking record description of Xinjiang Tacheng Festival Ritual Dance,according to the document expression,interview record,investigation report,self-summary form of different ways of analytic demonstration,the festive ritual dance ontology analysis and exploration.The third chapter analyzes the typical characteristics of the ritual dance in the class,which is simulated,symbolic,collective and procedural,and expounds the changes of ritualdance in the historical process and the similarities and differences of ritual dance in different regions of Xinjiang.The fourth chapter summarizes the functional meaning and cultural connotation of festive ritual dance in the festival,analyzes the functional value of maintenance function,enlightenment function and inheritance value in three aspects,and probes into the cultural connotation of ritual dance,probes into the symbol of ethnic cohesion,the embodiment of farming cultural belief,the important identification of ethnic identity,The connotation embodiment of various art forms show,and records the protection and inheritance of the present situation of the festival dance in the current class,in order to display the function and connotation of the dance culture of Tatar traditional folk festival ceremony in modern ritual procedure from many angles.The author makes the ritual Dance of "Tatar festival" in Xinjiang as a case study,in order to do a more complete combing of the existing festival ritual dance,which leads to the attention and thinking of the study of the dance culture of the smaller ethnic group,and to the diversity of dance culture ecology and the overall construction of dance culture discipline.Strive to use multi-disciplinary theory and methods to carry out all-round analysis of Tatar festival dance,for the future Tatar Folk Festival Ritual Dance Research theory research,stage works creation,classroom teaching combination to promote,provide a new vision,research perspective.