Study On The Image Of Xiang Fei In Tang Poetry

The image of Xiangfei has been inherited for a long time and frequently used in Chinese classical poetry.Since the beginning of Xiangjun,Madame Hunan and Tianwen in Quyuan's Nine Songs,the image of Xiangfei has entered the literati's vision,and it is sad to be influenced by Quyuan.However,from Quyuan to the Southern and Northern Dynasties,the image of Xiangfei experienced a slow development of nearly a thousand years.The image of Xiangfei in literary works basically remained at the level of missing and grieving goddess.On the basis of the former dynasty,the Tang literati continuously developed and developed,making the image of Xiangfei more three-dimensional,and enriching the emotional connotation.By the late Tang Dynasty,the emotional connotation of the image of Xiangfei and the cultural conventions reflected by it had gradually stabilized,and continued to the literary works such as poems,ci,Fu and novels after the Song Dynasty,and achieved remarkable achievements.The introduction part reviews the current research on the image of "Xiangfei",introduces the purpose and significance of the topic,as well as the research methods.The first chapter is about the definition of the image of "Xiangfei" and its expression in poems and Fus before Tang Dynasty.The first section defines the concepts of image and "Xiangfei" image,and summarizes the image groups of "Xiangfei","Xiangfei","Madame Xiangfei","Two Concubines","Emperor Zi" and "Two Ladies" by sorting out "All Tang Poems" and "Selected Poems of Xiangfei".Among them,the main theoretical basis of the concept of imagery is Chen Zhicheng's Poetry Imagery Theory.While defining the image of "Xiangfei",it combs the literature system of the myth of Xiangfei.The second section briefly describes the creation of Xiangfei's poems and Fus before Tang Dynasty.The specific creation is mainly divided into two aspects: Xiangfei's theme poems and Xiangfei's image.The image of Xiangfei appeared about 80 times in the poems and Fus before Tang Dynasty,and all the literati's works involved hunting,but generally speaking,the emotional expression is relatively single,mainly concentrated in the aspect of missing and grieving.The second chapter is a quantitative analysis of the image of Xiangfei in Tang poetry and a summary of the characteristics of each period.The first section collates the use of the image of "Xiangfei" in Tang Dynasty poetry by means of tables and words in parallel.There are about1000 times,and the frequency from the early Tang to the late Tang Dynasty shows a ladder-like upward trend.The second section narrates the characteristics of the image of "Xiangfei" in Tang poetry according to the sectional way in the middle and late of the early prosperity.The image of Xiangfei in the early prosperity of Tang Dynasty is mainly composed by the poet's temporary feelings.With the political changes in the middle and late Tang Dynasty,the overall tonebecomes more bleak and desolate.The third chapter is the analysis of the emotional implication of the image of Xiangfei in Tang poetry.Compared with the monotonous emotion before the Tang Dynasty,the emotional implication of the image of Xiangfei in Tang Dynasty is further enriched,mainly from three levels.The first section is about singing about love and destiny,mainly about the poet's praise of the love between Xiangfei and Shun in the myth of Xiangfei and his lament about the death of Xiangfei in the Xiangjiang River.The second section is about the sadness of not encountering talent and relegation.The poet used the bridge of "Qu Yuan" and "Chu Ci" to endow the image of Xiangfei with the emotional connotation of not encountering talent and relegation,which is closely related to the events of "Anshi Rebellion" and "Yongzhen Innovation" in the Tang Dynasty.The third section is mainly about the pain of leaving people and the feeling of wandering.The ancients traveled a lot along the waterways.In addition,the sad tone of the image of Xiangfei coincides with the sorrow of departure and detention.Therefore,there are many images of Xiangfei in the farewell poems.The fourth chapter is about the two classical combinations of the image of Xiangfei in Tang poetry.The image of Xiangfei appears in parallel with other images to form a classical combination,which can better express emotions.The first section is about the sad and melancholy tone of poetry produced by the combination of Xiangfei's image and dusk's image.The second section is the image of Xiangfei and the image of "tragic voice",such as the typical "ape song" and "song of son" in classical poetry.The realistic "tragic voice" and the legendary "Xiangfei crying" in poetry show infinite charm and long aftertaste of the interaction between the virtual and the real in the docking of time and space.The fifth chapter is the cultural reflection of the image of "Xiangfei" in Tang poetry,and the expression of the image of "Xiangfei" in poetry from the perspective of folk culture.The first section looks at the "competition" and sacrificial customs of the Dragon Boat Festival in the Tang Dynasty through the image of Xiangfei in poetry.The second section analyses the Confucianism-worshiping psychology,such as Confucianism's loyalty,loyalty to the emperor and active accession to the WTO,from the perspective of the image of Xiangfei and the thought of literati in the Tang Dynasty.The concluding part summarizes the new changes of the image of "Xiangfei" in the Tang Dynasty.