Research On The Expression Of Dance Image In Yungang Grottoes

Yungang Grottoes are the product of cultural exchanges and integration of various ethnic groups.In the background of three different periods of Yungang dance in the early,middle and late stages,Yungang dance images have different expression features.The author analyzes the expression features of the dance image in Yungang Grottoes and explores the influence of the expression features of the dance image in Yungang Grottoes on the practice of dance art.This paper explores the expression of the dance image in the Yungang Grottoes from a well-known but rarely mentioned point of view.This thesis is based on the expression of the dance image in Yungang Grottoes.The author provides a theoretical support for the study of Yungang dance works in the future by comparing the imagery styles of Yungang Grottoes in different periods.This paper is divided into four parts.The main contents are as follows:The first chapter is to study the expression features of the dance image in the early grottoes.First of all,It analyzes the background of the early Yungang Grottoes.The early Yungang Grottoes were excavated by the monk monks and were the most representative period of the Yungang Grottoes.Secondly,It illustrates the expression features of the dance image in the Yungang Grottoes in the early days of the Yungang Grottoes.Finally,It is discussed that the dance writers applied the expressions of the dance images in the early Yungang Grottoes to specific dance works based on the early Yungang Grottoes.The second chapter is to study the expression features of the dance image in the middle grotto.First,It describes the background of the medium-term Yungang Grottoes.The Emperor Xiaowen is bound to be a flat,constantly expanding the area of the excavation,the content is complex and changeable,and the subject matter of the image is constantly enriched,not just by Shiga,Maitreya.Secondly,It explains the expression features of the dance image in the grottoes in the middle of the Yungang period.Yungang's medium-term development trend of Chineseization,new themes and image combinations began to appear in this period,the expression of the dance image is complex and changeable.Finally,It is discussed that the dance image in Yungang Grottoes has evolved from a static expression to a dynamic dance.The third chapter is to study the expression features of the dance image in the late grottoes.First of all,It expounds the background of the late Yungang Grottoes.Secondly,It discusses the expression features of the dance image in Yungang Grottoes in the background of the late Yungang Grottoes.The policy of the "Chineseization Reform" of the Northern Wei Dynasty made the later Buddhist statues show a fresh and elegant artistic style.Finally,According to the background of the times,the editors applied the expressions of the dance image in the Yungang Grottoes to specific dance works.The fourth chapter,Starting from the artistic value of the dance image expression in Yungang Grottoes,is the material source and theoretical basis of the choreographer in the creation of dance works.This thesis analyzes the expression of the dance image in Yungang Grottoes,and transforms the expression from static image to dynamic dance,which is a prominent feature of Yungang dance art.