A Study On The Literary Orientation Of Li Yu's Drama Theory From The Perspective Of Literary Activity

Li Yu is our country renowned writers in the early Qing Dynasty,because of the drama literary achievements and known as the "song of Du Fu";at the same time,Li Yu is also an outstanding opera theorist,known as the master of China classical opera theory.Thus,Li Yu's drama theory is viewed as a model of China ancient opera theory and wide attention and research.However,Li Yu in the position of literature on the academic study of drama is neglected,and not systematically studied and discussed.This paper uses the contemporary American scholar Abrams proposed on the four elements of literature literary point of view,from the perspective of Marx's literary activities in theory,from the development of China classical literary theory theoretical background,expounds Li Yu's opera theory of literature.Therefore,the research on the life of Li Yu's opera drama,based on text creation,stage performance and the audience to accept the four argument to the view of literature,four points constitute the whole literary activity theory,systematically explore the drama theory as a literary theory.This article is divided into theoretical points the four chapter:The first chapter discussed Li Yu's understanding of the relationship between life and literary experience.The development of social economy and cultural life in the Ming and Qing Dynasties has made the opera performing activities unprecedented prosperity.Li Yu with his consciousness of literary writing and literary theory of reflection position,summarizing the practical experience of opera,especially the stage of life experience,know that all the "samadhi".He can from the perspective of the writer and the audience multidimensional life drama "living" phenomenon,and gradually formed a drama on the life and literary experience understanding of the relationship."The lyrics of aconcentrated expression is this understanding,specially for the debut,namely the opera aesthetic experience of the art of life is in the sense of literature.Li Yu believes that in the life artistic atmosphere of the literature,drama writing "set the text,by that statement,and the public together to listen.This is the expression of traditional opera in literary theory" of literary theory poem's social function ",reflects the literary world of Li Yu's drama life.It is based on the literature in this position,Li Yu to "stage performance" as the core of the "literary art" of the drama theory,beyond the simple "music based" technology theory and the "desk" creative tendencies,the drama theory is really regarded as art theory into China the ancient theory of discourse system.The second chapter discussed Li Yu to the drama writing and literary expression of the understanding of the relationship.In the drama,Li Yu by writing operato express the relationship between real life and a real and fictional drama art,which implies the Chinese learn the true value of literary creation pursuit.Literary creation requirements of "real" Li Yu said that the opera is true,it is different from the real life is the reality of art,Li Yu deepened the drama writing and literary expression in practice.The opinion of text creation is an important part of Li Yu's opera theory,his narrative ideas as a starting point,with the expression of emotion and drama stage performance together.Stage performance is two degrees of creation of the text,which implies a director of emotion,it is reflected in two aspects: one is the performance of the opera text selection and adaptation,emphasizes the transformation from "field text" to "off the text",the stage has become a bridge of text creation and stage performance..the two is to focus on the effect of stage performance,in time to "Yi Hui is not bright",while strengthening the management of the theatre,emphasizing the transformation of actors performances from the "boudoir state" to "ground state".It is through the above two aspects reflect the literary writing of Li Yu Opera pointing.The third chapter deals with Li Yu's understanding of literary texts and the relationship between opera scripts.As an actor performing the blueprint of dibon,Li Yu from the structure,words,music,language,kehun and pattern six aspects of the systemon the drama script,this generalization,it can be said that Li Yu is mainly carries on the elaboration to the opera script from two the structure of drama and drama language.The essence of literature in literature,which is mainly manifested in the literary texts from the language,structure,form,structure and other factors.The Li Yu theme from two aspects to discuss the structure and language of the drama script,reflects the Li Yu opera script theory of literature.Although Li Yu in the drama script creation in discussion with the formers have the obvious inheritance relationship,but his perspective and theoretical depth is very different.The structure of Li Yu as the logical starting point of the drama activities to take into consideration the artistic conception and layout ideas throughout the script,and convincingly put forward "structure first" of the original;Li Yu on the drama language from the point of view of the art features,based on the stage performance,basically get rid of the previous "elegant" and "vulgar" on the aspect of debate.Li Yu's drama works,whether it is on structure or language,its most notable feature is to reveal the opera script of literature.The fourth chapter discusses Li Yu to watch drama and literature.Recognize and accept the relationship in Li Yu's drama theory,almost every part are conducted in the audience from the perspective of discourse,so the drama creation and stage performance theory contains a strong sense of audience.As a kind of literary activities,it includes the writer's creation,the work consumption and acceptance activities,only through the readers' appreciation and acceptance,the creation of the text can be achieved only value.Li Yu's theory of the masses on the ornamental and script writing,the stage play equally important role,is that the opera has the same ornamental literature.Li Yu From two aspects to explain the relationship between the opera ornamental and Literature: one is according to the audience,distinguish the difference of audience,the audience cognition has obvious sense of hierarchy to grasp,from the opera civilation ornamental and literature to discuss the drama literature acceptance;The two is from the opera's stage performance effect and audience's aesthetic activities of literary experience,that only after the audience's appreciation of opera art to achieve its value,the masses of theimportant criteria for judging the text as ornamental creation and stage performance of success.Thus,Li Yu's drama theory is a complete exposition in view of literature acceptance from the perspective of.