On The Gains And Losses Of The Phenomenal Image Oil Painting In China In Recent Year

Chinese style with five thousand years of splendid civilization in ancient China,twentieth Century oil painting introduced into China,this western painting form and Chinese culture in the collision,convergence and integration.After experiencing the process of being absorbed and transformed,the first generation of Chinese painters in the collision and conflict between China and the West put forward the proposition of imagery oil painting.Through the four parts,this paper expounds the development process and development process of Chinese image oil painting,as well as the existing problems.First of all,Western painting belong to "import",in this Chinese different soil,different cultural environment,will inevitably lead to a "chemical reaction",the first generation of oil painters through our unremitting attempts and research,finally,this new variety of "chemical reaction" produced is called image painting but,this process can be divided into three stages,the first stage: since the painting was introduced into Chinese until 1920 s,this stage of painters,including Li Tiefu,Li Yishi,Liu Haisu,Li Shutong,Fang an,Lin Fengmian,Guan Liang,Xu Beihong,Wu Dayu,Wu Zuoren etc..They are the first generation of our local painters who have begun to explore and study in oil painting.Xu Beihong mainly adhere to realism,put him in the attitude of Chinese and foreign art heritage,"ancient law better observe,vertical,vast,not change,not enough to increase,Western painting recoverable entrant melting".Advocate of classical spirit in the painting,and is different,and the difference is in Dijon Academy of Fine Arts,Paris Academy of Fine Arts of higher learning painting of Lin Fengmian,in the "realism" of the current era,Lin Fengmian is walking on a lonely Pioneer Road,he advocated the new art movement,himself personally,practitioners "," a combination of Chinese and Western concept of creation,so the variable enlightenment scholars after countless,Lin Fengmian's ink color overload component also because of it,has spawned a new performance outlook,both from the west to the East,see the independent existence of Lin Fengmian from the east west direction at all;the second stage,1920 s at the beginning of twenty-first Century,representatives of this stage include: Zhao Wuji,Zhu Dequn,Wu Guanzhong,Su Tianci,Dong Xiwen,this generation of artists works is true To achieve the "combination of Chinese and Western" concept,the Oriental Art of exquisite,strong fusion and Western painting color of the most successful generation,give full play to the western painting color performance,and China culture freehand concept into which the colorful and rich images of the artistic style of stage 3;early,20 century 50,representatives of this generation,Jin Shangyi,Chen Danqing,Wang Yidong,Yang Feiyun,Zhang Xiaogang,Fang Lijun,Yue Minjun,Xin Dongwang,Mao Yan,Yang Chang,this generation of artistic ideas more rebellious,they believe that the traditional easel painting,can express all the idea of modernism now,however,the development of contemporary art that every kind of impact on the genre of raging like a storm,the shelves,some of today's "International Biennale",or "exhibition" In the painting has been pushed to the corner of the hall,seems to have become worthless supporting,this situation is worrying,Chang Yang is the leader in one of the paintings,his easy interpretation of the deep,with a simple carrying a whip,with a hard astringent and simple soothing anxiety.With a mottled and heavy and banter.There is a young life in the traditional literati modern classic,an ancient Xingshi elusive,one only when the flow of the poet.The second part,by listing the development of imagery oil painting,shows the success of oil painting "combination of Chinese and Western".This paper,in this part of the first mentioned is the innovation of the traditional image of painting,Chinese traditional ink painting to today really need a breakthrough,need to innovate,have just solved the Chinese impression painting traditional art of painting in time,China artists also have more ideas,more important is a true sense of the civilized society must have a sound environment of aesthetic culture,contemporary aesthetic context and artistic concept changes: 1 aesthetic consciousness of the secular,to the general public,art is no longer a luxury,art is no longer a patent,2 diversified aesthetic consciousness,aesthetic culture melody under the social popularity of popular aesthetic culture and aesthetic culture of the elite,prevails,constitute the contemporary aesthetic and cultural awareness of their special Sign and different properties,separation and opposition of the 3 aesthetic structure,aesthetic life,aesthetic daily life,leading to the "life" and "art","public" and "elite","structural separation and opposition Conservative" and "innovation" of the contemporary aesthetic culture.The third part is the focus of this paper is about part of art should not be in order to meet the general public's aesthetic taste,and simply use some techniques,seems to have their own painting language,but not to express personal feelings,this is not called innovation,which can only be called imitation,this works only specious,some art lovers we like to watch "the emperor's new clothes",a cloudy appearance,occasionally nodded,seemed to understand.This phenomenon,it can only say that some of us aesthetic problem does exist,this phenomenon,we understand to understand,we can not let this "work" hinders the healthy development of the arts,we should actively guide the development of art industry in accordance with the proper rules for health,to improve people's aesthetic.This is what we should do.The fourth part,through the more representative "image oil painting" works appreciation,hope to enable our art practitioners to understand what is the real vitality of the art works!...