A Research On The Status Identity In Films And The Culture Anxieties Of The Mongolian Film,Based On The Master Pieces Of "Saifu-Degane",from The Famous Mongolian Film Family

This thesis focuses on the work of the Mongolian film family "Safi--DEagan",and explores the national identity in the minority film works from the social background,creation angle,narrative style and film lens of the film.Cultural anxiety.In order to ensure the clarity of the papers,this paper will focus on the development of the minority films,historical stages and related concepts,and then focus on the two generations of filmmakers," Safi--DEagan ".In the film works created.The article attempts to use the method of text analysis to examine the identity and cultural anxiety hidden behind the text through the analysis of themes,character analysis and mirror language analysis of the representative works of “Asif--DEgan".The article believes that in the works of “Asif--DEgan”,the different understandings and presentations of identity and text analysis are derived from intergenerational differences and social transformation.The two generations' epoch context and identity construction The differences make them have a completely different understanding of national culture and even identity.However,since these two generations belong to the same nation and the same family,we are faintly discovering the potential links while seeing this difference.inherited.It is found that in the cultural,political,and economic changes,the intergenerational creative characteristics and narrative styles bring different differences in national identity and cultural anxiety among different minority works.The article ends with the perspective of minority films and native-creator creators.It believes that globalization not only brings the impact of culture,but also brings opportunities for cultural display and even cultural output for Chinese movies,especially minority films.The forest of the movie is realized by imagination.