A Study Of Song Poetry Criticism In The General Catalogue Of Siku Quanshu

The General Catalogue of Sikuquanshu(hereinafter referred to as the General Catalogue)is the largest official revision catalogue work in the history of China compiled during the reign of Qianlong in the Qing Dynasty.It contains 200 volumes and more than 10,000 books,each of which contains a summary to reveal the general purpose of the content,a detailed introduction and evaluation of the main catalogue and the bibliographic documents included therein,and a systematic investigation and summary of the origin and evolution of Chinese academy.As a milestone of bibliography,it embodies the knowledge and wisdom of many scholars of Qian and Jia Dynasties,and reflects the academic characteristics and ideas of Qian and Jia Dynasties.General Catalogue is an academic study from the perspective of traditional bibliography.It is not only a bibliographic work,but also a literary criticism work.It makes a comprehensive comment and textual research on Song Dynasty poetry in the form of prefaces and bibliographic abstracts,which is equivalent to a concise and concise history of Song poetry.It is an indispensable part of Song Dynasty poetry history and also one of Song Poetics in Qing Dynasty Part.At present,the study of Song poetry in General Catalogue is still relatively weak in academic circles.In this paper,the Song poetry in General Catalogue is systematically sorted out,analyzed and differentiated,with a view to making a little contribution to the study of Song poetry criticism in General Catalogue.The full text is divided into three chapters.The first chapter mainly investigates the origin of the compilation of General Catalogue and its cultural background,and examines the influence of Qian-Jia Sinology and the early Qing Dynasty poetry theory on the poetry criticism of Song Ji in General Catalogue.Chapter two investigates the historical stages of Song poetry criticism in General Catalogue and the specific content of Song poetry criticism in General Catalogue.It also investigates the stages of Song poetry history in General Catalogue and the gentle,honest and peaceful Confucian poetry thought in Song criticism in General Catalogue.It attaches great importance to the content of poetry in patriotic and anxious times and the aesthetic characteristics of Song poetry criticism.Chapter three examines the key features of Song poetry criticism in General Catalogue,upholds an objective and fair attitude of criticism,is good at comparison,and pays attention to the characteristics of teacher-student interaction and textual criticism of Song people.