The Harmony Study On One-act Opera 'IL Prigioniero' Of Dallapiccola

Following the “Second Vienna Musical School”,a number of unique and distinctive composers using the twelve-tone sequence method emerged.One of the most distinctive and influential composers is the Italian composer Luigi Dallapiccola.His works are concise and concise,and the logic is rigorous and exquisite,making an important contribution to the development of sequence music.The one-act opera “IL Prigioniero” is a work created by Dallapiccola in 1948,when the twelve-tone sequence technology he used has a mature system.This one-act opera is one of his large-scale musical works,and is also a master of his creative techniques.Dallapiccola was greatly influenced by Webern.He not only inherits the strict logic of the traditional twelve-tone sequence,but also carries out a series of innovations.This article will study the pitch,especially the harmony phenomenon,and try to understand the pitch organization of the one-act opera “IL Prigioniero.”This article is divided into six chapters,The first chapter gives a brief introduction to the life and creation of Dalapicola and the introduction of the one-act opera “IL Prigioniero ”;The second chapter carefully analyzes the three original sequences in the work and explores the relationship between the three sequences;The third chapter is an example of the way in which the sequence is stated(that is,the way in which a single sequence is presented and the way in which multiple sequences are simultaneously stated);The fourth chapter is to study the overall layout and control logic of the sequence and explore the correlation between the selected sequences;The fifth chapter studies the composition of music materials in the works through the study of chord materials,the study of melody motivation and the relationship between horizontal lines and harmony vocabulary;The sixth chapter analyzes this work from the perspective of the relationship between lyrics and music.Through the meticulous research in many aspects above,the author summarizes the creative thinking of the high-pitched organizational language used by Dalapicola in Prisoners.