Combination Of Iliterariness And The Documentary Mirror Image

As an important personage among film producers,Zhangke Jia has gradually revealed his characteristic image style with low-cost production.His work is consistent with the new realism style,which supports the universal value of real aesthetics that is scarce in films.Zhangke Jia intends to combine literariness with documentary images in order to construct a complete narrative subject of time and space.Through the infiltration of diversified literary forms in art,that relys on documentary images,it presents a keen insight to of facing the world reaches his originality ultimate.Chapter one: Zhangke Jia 's literary penetration of screen space.Zhangke Jia 's artistic creation has the brand of the era of self-realism.He used to integrate the diversity of film language and literary forms to trace the social innovation,By presenting the intertextuality of literary symbols and images in his works,he realized the balance between time dynamics and space extension in the screen space.The narrative essence of Zhangke Jia 's films is sorted out in a holistic and systematic way.Finally,the perception of literary symbols is the best fit of interpreting its theme's meaning.In the context of The Times when Zhangke Jia 's complex life situation is placed,his films have the literature value of interpreting the present life and the national redemption of awakening cultural regression.Chapter two: the literary connotation of Zhangke Jia 's documentary mirror image.Zhangke Jia pays attention to the reality,and with documentary lens supplemented,the picture presents a simple and unadorned connotation.In the narration,the traditional mode of macro record is subverted,the plot structure is interlinked,and the visual art and aesthetic form are shared.It conveys the film theme's deconstruction of the grand narrative and realizes the value of private narration by means of expression with considerable literary value.Chapter three: the visual phenomenon under the "marriage" of literariness and documentary images.Zhangke Jia combines lens and literary language to record China,and integrates the multifaceted life of self-expression and self-redemption in his growth into the screen vision.Based on the image style of literature and documentary images,he promotes the way of social transformation through discourse.By the visual revelation life fission reality;drive out the crux of society with national spirit.Stare straight at Jia Zhangke about the structure of Chinese true story in the mainstream of aesthetic consciousness,the impresive feeling of his film for the audience is "true",real characters,stories;real life;sincere expression and presentation.This is in line with the concept of "home" revealed in literature.Therefore,facing to the national self-confidence of the cultural and destiny of a nation,Chinese film should become the forerunner of this ages,and provide opuses with more temperature,colourful culture and Chinese characteristics to this Chinese film market.