Views On The Problem Of Deficiency And Reality In Landscape Painting Creation

The concept of "fictitious reality" has become an important proposition in the creation of Chinese painting after it was born from the "moral Sutra" and introduced Chinese painting.Many theorists and painters in the past dynasties have many theories on "fictitious reality" in their writings,paintings and PostScript,which are of great guiding value to the creation and comparison of the artistic conception of landscape painting.For the creation of artistic conception,the objective and concrete object image is "real",unlimited time and space for "virtual",the organic combination of the two to produce artistic conception.For the contrast of the unified picture,you can first grasp from the whole,with the overall reality to unify the picture,and then in the big virtual to find false,find contrast.I through the work "Jungle Fountain map" in the relationship between the virtual reality,gradually understand in the overall arrangement to pay attention to the virtual in the picture of the left and right position,the size of the change,and then in which to seek change.In the local arrangement to pay attention to the "big reality" in the virtual interspersed,but also pay attention to the "big virtual" place of the virtual reality.In the expression of pen and ink through the use of pens to change the transition,the overall ink and shade level layout reflects the picture virtual.Also through the specific object of the dense arrangement,so that the picture to reach the secret,sparse and virtual effect.These experiences inspired me to realize that the role of the fictitious relationship for the picture is revealed through contrast,by changing the reality of the comparison of the frame of reference,the relationship between the virtual and the indirect impact of the screen rhythm.And also realized that the expression of virtual reality is the result of the combination of pen and ink.