On The Virtual Reality Of Chinese Painting And Its Application In My Creation

The relationship between false and real is an important connotation in Chinese traditional culture,and it is also a very important formal law,especially in Chinese painting.One virtual and one real,one quiet and one moving,one yin and one yang,all transmit the influence of Taoist philosophy.In the process of creative practice,accurately dealing with the virtual and real relationships in the picture can balance the yin and yang of the picture,deepen the expression of the artistic conception,enhance the rhythm and beauty,and enrich the picture level.This paper is based on the virtual reality in Chinese traditional culture and the arguments of the past generations of the real and the real,systematically exploring the virtual and real problems of Chinese painting.Among them,in the pen and ink language,the relationship between the virtual and the real of the picture is analyzed by using the straightness,thickness,rigid and soft change of the line and the dampness of the ink;in the layout of the chapter,the blank management of the picture and the density change of the picture material are discussed.The picture is a real problem.Finally,through the exploration of specific creative practices,I summed up my new insights and new ideas about the treatment of Chinese paintings.The creative practice under the guidance of the theory has clarified my future creative methods and efforts,and is a valuable experience accumulation.