The Exploration Of Painting Activities From The Perspective Of Merle-Ponty's Body Theory

This paper takes the body theory in Merleau Ponty's art phenomenology as the starting point,and discusses the generation of the concept of "physical body" in painting and the meaning of metaphor.Under the circumstance that image painting occupies half of the country,with the relevant achievements of the world's theory and art observation world,we try to abandon the inertial thinking of the creative form and provide a way to reconstruct the world.Merleau Ponti is closely related to art and literary creation in his theoretical research.He believes that their "holistic organization" is more advanced than "philosophy",deeply thinking about the relationship between man and the world,without diverging from the experience and reflection of life.Look for connections between people and the world and between people.Mero Ponty's body theory refers to the concept of "physical body",which is different from the body.This is not a closed subject of perception.It is the bond between man and the world,and the "physical body" is aware,active,and with desire.Or the painful body,the two cannot be generalized.In-depth,the way of viewing in painting has a certain intrinsic connection with Mero Ponty's theory of "physical body"."Flesh body" can be understood as a kind of "visibility" in painting,and visibility is visible and invisible.Then invisibility is the transmission of metaphorical cognitive intention behind painting.When "I" is present as a creator of painting and "others" as the object of observation,then "form body" is formed.I pass the external similarity between the body of the person in front and the body of the person,and then through the self.It is transformed into internal similarity as the consciousness of the body,so that the body of others is grasped as the body we usually understand.The necessary conditions for the physicalization of the body of another person,the presence of my body is an inevitable prerequisite for physicalization.Then painting,as a kind of visual-oriented art activity,replaces other perceptions with vision,and uses visual modes to better explain the "physical body".The reversible relationship between man and the world is presented in the form of painting in front of people.It proves the existence of phenomenology in painting activities from three aspects: intention motivation,viewing mode and works presentation.Jacquette made the real reproduction of vision as the goal,and the spatial distance and formal structure became the eternal theme of his works.Exploring the hidden animal nature of human beings is the pursuit of Freud's life.In his works,he can't see the beauty in the secular sense.Instead,he is real,painting skin and painting meat.He paints the soul under the flesh..Frida Caro is also a kind of "self" that is closely related to the theme of "people".In addition,Francis Bacon's life works are used to explore and study,and through his character,his focus on the depiction of human beings reveals his spiritual world in his works.In the process of creating the series of "Bath" works,the author has approached my needs for creation before the idea,specifically analyzed the process of painting language and thought change,and explained the understanding of phenomenology in the painting activities.The influence on the works hopes to provide some enlightenment to the creation of realistic art.