The Audiovisual Performance Of "The Absurdity" In Jiang Wen's Movies

After more than one hundred and ten years of development and development,the world film has formed a more diversified creative mode.Some directors have formed their own style system in the process of film creation.The photography,scene scheduling and editing under their style system have formed unique audio-visual language and aesthetic features.The use of absurd aesthetics has had a profound impact on drama and contemporary cinema.As the film develops to this day,the visual elements in the film have become increasingly complex,and the film type has shown diversified development.The combination of film and absurd art has become a style of type film,which runs through all aspects of film creation and film and television research.In the centuries-old development of Chinese-language films,absurd films have not formed a complete type pattern in academics.There is a systematic research system for the absurd films of contemporary China,and it is still in a blind spot in the field of absurd film research.In the contemporary Chinese film creation,there are also a large number of absurd narratives and emphasizing the audio-visual works composed of skills and forms.Directors such as Jiang Wen,Ning Hao,Guan Hu and others have their unique audio-visual language and aesthetic characteristics,and they are often difficult to be understood.The elements,but its absurd artistic style and clear audiovisual symbols often leave a deep impression on the viewer.The success of a movie is no longer simply dependent on the merits of the script and the story.Its form and style become as important as the content.What kind of audiovisual language is used will have a crucial impact on a film,whether it is a narrative structure,a performance space or an established style.This thesis attempts to discuss the absurd aesthetics appearing in Jiang Wen's films,and to study the specific expressions of "absurdity" from the aesthetic characteristics of the film,narrative techniques,audition performance,and absurd elements.Through the influence of lens language on narrative structure,performance space and creative style,this paper analyzes the specific cases created by Chinese contemporary photographers Mark Lee Ping-Bin,Zhao Fei and Xie Zhengyu.Summarize Jiang Wen's film creation thinking and image style,form a more systematic aesthetic theory,and apply it in his own image creation.