| The primary objective of this research is to develop a theoretical framework in anthropological research for considering cinema as a 'datum of culture.' I will use the Elements Trilogy, an Indo-Canadian film series; Fire (1991), Earth (1998), Water (2005), as a case study to derive a methodology for observing and interpreting ethnographic information embedded in the diegetic world of film. The ethnographic data generated from the films through a process of 'Virtual Participant Observation' will be compared and contrasted with actual data collected from the field to test the authenticity of the filmmaker's re-presentation of culture. The field research involved Participant Observation, Focus Groups and Ethnographic Interviews conducted in India, the context of the films. I was also privileged to conduct an interview with Deepa Mehta, the writer/director of the Trilogy.;In order to develop a methodology for a cultural exegesis of film, I propose to integrate auteur criticism and context criticism, two methodologies borrowed from the discipline of film studies, with 'Virtual Participant Observation.' In the end I interlace this methodology with prominent methods in the field of theological criticism of film to propose a method for doing a 'religious reading' of film. Both the cultural perceptions of God (religion) and God's revelation to culture (theology) in a given context can thus be explored through films. |
