On The Importance Of Expressing Language In The Creation Of Chinese Landscape Painting

Chinese painting is different from western painting.As a unique form of painting in China,Chinese painting highlights its important research value and historical value in composition,color design and technical performance.Chinese painting uses its unique brush,ink,water and rice paper to express its unique texture.The use of ink and brush,the complete contour and exaggeration of the image,and the rhythm of the ink permeate the artistic conception and the beauty of the form.As the core of Chinese traditional art,Chinese painting is the national view and the expressive aesthetics built on it.Unlike the contrast of light and shade in the West,contemporary Chinese painting needs the combination of thick and light,dry and wet,"high and far-reaching","far-reaching" and "far-reaching".This is both logical and abstract,which not only expresses its charm,but also highlights its origin.From the color,charm and shape of the content of contemporary Chinese painting,we can see its expressive characteristics.This article is divided into three parts.The first chapter mainly highlights the expressive color design of traditional landscape painting lines through the performance of traditional landscape painting techniques and pictures.Through reading Shitao Mountain and Water Book,Jinghao's Notes on Brushwork,Landscape Festival Essentials,Guoxi'sLinquanGaozhi Painting Tips,Qing BoyanTu's Questions and Answers on Painting Learning Heart,North Song Dynasty and South Korea's Humble Landscape Painting Pure Complete Works and other ancient books understand the expressive statements of painting brushwork,color,charm and so on.In the second chapter,from the subject matter of painting and the influence of the combination of China and the West on contemporary Chinese landscape painting,the representative figures such as Zhang Daqian,Huang Binhong,Guan Shanyue and Fu Baoshi are selected to elaborate,and the expressiveness of lines is also analyzed.The third chapter mainly talks about the influence of expressive language on me in the creation of landscape paintings.I will interpret it in the way of presentation of works.As a long-standing and traditional painting art,Chinese painting has more development space and deeper aesthetic connotation,and has unique traditional characteristics and form charm.Its unique expression highlights its ancient historical significance,making it an excellent art and culture of the Chinese nation,standing as a treasure in the history of five thousand years,which embodies the spirit of arduous struggle of the Chinese nation and the ancient and powerful national wealth.I will take the expressive language in the creation of Chinese landscape painting as a breakthrough point,promote the development of traditional Chinese painting art,promote the development of national folk art,and make some efforts of my own.Contemporary Chinese painting retains the characteristics of traditional Chinese painting brush and ink techniques and lines.Combining with some specific contemporary expressions,it reflects the unique aesthetic style of the contemporary era.It is necessary to flexibly use aesthetic knowledge theory to guide the practice of painting and expression.For artists,relevant changes and innovative methods will bring new research ideas,so that we can study ideas and methods more deeply,so as to accurately grasp its essence.Make the research theory of this topic more valuable.