Study On The Format Of Court Poetry In The Early Tang Dynasty

There are many compilation activities in the court of the early Tang dynasty,and these compilation activities may influence the development of court poetry.The first chapter of this paper explores the influence of the court compilations in early Tang dynasty by using the important document,Wen Guan Ci Lin.This chapter first analyzes the compilation of the Wen Guan Ci Lin and finds that its compilation principle is deeply influenced by the Yi Wen Lei Ju.Its compilation style also has its own unique features.One is that there are more classification levels,the other is to regard the Bu as an important classification level,and the third is to express a clear sense of poetry.Secondly,this thesis studies the writing style of the Wen Guan Ci Lin,reveals the characteristics of the title and the title note,and explores the relationship between the title note and preface.Thirdly,it precisely analyzes the format features of the poems of the Wen Guan Ci Lin and reveals the poetic implication contained in it.By investigating the spread of the Wen Guan Ci Lin in the court in early Tang dynasty,it analyzes its influence in early Tang court.Finally,the article explores the influence of Wen Guan Ci Lin on the format of the four-word poetry of the court and the characteristics of the four-character court poems in early Tang dynasty.The second chapter is the study on the format of court pentasyllabic regulated verse in early Tang dynasty.In the first part,the author believes that the court poetry format in the period of Gaozu and Taizong is actually the inheritance of Qiliang,but at the same time there is also development.The second part found that there were a large number of court pentasyllabic regulated verse in the period of Gaozong and Wuhou.By analyzing the three important poetic theory books,Bi Zha Hua Liang,Wen Bi Shi,Shi Sui Nao,the author also reveals the theoretical norms of court poetry in this period.The third part explores the format characteristics of the court poetry in the Zhongzong period from the duality,the rhyme and the pingze.The third chapter is the study on the format of court heptasyllabic regulated verse in early Tang dynasty.In the first part of this chapter,some poems were carried out for years,and some poems mixed into the early Tang dynasty were removed to more accurately describe the evolution of court heptasyllabic regulated verse.On the basis of previous studies,the second part focuses on the evolution of court heptasyllabic regulated verse in early Tang dynasty in terms of duality,the rhyme and the pingze.In the third part,the author takes the Shicong party in ffuhou period as a case,and analyzes the three paths that influence the evolution of the court poetry format by the special background of the court with the help of the Shicong Feast Inscription in Summer.