On Ge Fei’s "Traditional" Writing After The Transformation Of Creation

In the late 1990 s,the trend of thought of Chinese market economy and consumerism began to rise,the traditional values of literature were impacted,the significance of writing was questioned,and the active exploration and extreme pursuit of form in avant-garde literature began to be difficult to sustain.Facing with many difficult problems,the vanguard literature,which once led the literary trend,is small.Ge Fei,who ascended the literary world as an avant-garde writer,experienced the rise and silence of avant-garde literature.He reconsiders many problems of novel creation and literary theory,and tries to find and create new possibilities of Chinese narrative in contemporary writing,and to find a way out for himself and even for Chinese contemporary literature.Ge Fei has devoted his attention to the Chinese tradition,which has a long history and profound depth,and excavates the resources that can be used by contemporary literature in the tradition.After 2004,Ge Fei successively published three novels,"Human Face Peach Blossom","Shan He Ru Meng" and "Spring Blossoms in the South".In 2016,he published "Wang Chun Feng" and returned to the literary world with a new attitude.After the turn,Gei Fei is no longer emptied or extremely literary pursuit,but with a modern perspective to describe a family story of three generations to deeply ponder the fate of Chinese intellectuals in the modern history of China,which discusses dialectically how to understand the mainstream culture of China,such as Dialectical discussion on how to understand the mainstream Chinese culture,Confucianism "knowing that it can’t be done",Taoist "nothing to use it all",and the Buddha’s "Nirvana Silence" in contemporary history.While examining the traditional Chinese culture,Ge Fei has widely used the narrative techniques and writing methods of Chinese traditional literature for reference.He combines modernity with classicality,exerts the specialty of Chinese literature lyric tradition,strengthens the lyricism of the novel on the occasion of narrative,and presents his own philosophical thoughts and compassionate beauty in the process of reading Chinese traditionalliterature.In the novel,it creates an aesthetic style rich in "new classical" features.On the specific writing skills,on the one hand,it continues the characteristics of the "narrative maze" in the previous novels,and at the same time incorporates the writing techniques of traditional Chinese literature,such as "Spring and Autumn Writing" and "Viperization of the Snake",so that the novels are connected with the tradition.It creates a familiar and novel reading effect for the reader.