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The Study On Paintings Of Nine Songs In Ming And Qing Dynasties

Posted on:2020-03-01Degree:MasterType:Thesis
Country:ChinaCandidate:L L NingFull Text:PDF
GTID:2415330578464008Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
There are many paintings created for literary works in the Chinese painting history.Paintings of nine songs,based on Ninesongs,is a typical combination of literary works and painting works.Ninesongs is a part of Qu yuan's songs of Chu,and Paintings of nine songs is the image of Ninesongs by the painter,which implies the acceptance and interpretation of the painter.Compared with the text and the image mutually,we can explore the relationship between them and the evolution of the artistic features in the history of thousands of years.The prosperity of Paintings of nine songs in the Ming and Qing dynasties has its unique historical background.The variety of images content not only implies the painter's interpretation of the text of Ninesongs,but also reflects the psychological desire of different times.This literature combed the Ming and Qing dynasties Paintings of nine songs and its related information,contact the background,social culture,the main body,and the development of literature etc,in-depth analyze the image and literature,focus on the works of art in the Ming and Qing dynasties literature classic expression of multiple paths,mechanisms and other issues,in order to summary and analysis the Ming and Qing dynasties Paintings of nine songs and related subjec treview.Have a new understanding of Paintings of nine songs from the iconography,schemata and text.This literature is divided into four chapters.The first chapter summarizes the literary relationship and artistic value between Paintings of nine songs and the study of Song of Chu.The second chapter studies the reasons for the development and prosperity of Paintings of nine songs in the Ming and Qing dynasties.The third chapter makes a comparative analysis of the images in Paintings of nine songs,classification of the paintings of Paintings of nine songs in the Ming and Qing Dynasties by form,analyzing the characteristics of Paintings of nine songs from the perspective of iconography.Also,the motifs generated by Paintings of nine songs are separated in various times,so it is particularly important to collect and sort out the artistic works.The fourth chapter summarizes the transformation of Paintings of nine songs and its influence on later generations,summarizes the form characteristics and historical changes of the image,analyze the reasons and effects of the transformation.The Paintings of nine songs in the Ming and Qing dynasties is a highlight in the development history of Paintings of nine songs.The image meaning of this period are more individual intention and subjective expression,which is the representation of a certain era culture.This literature attempts to build the cultural history of the painting images through the integration of the Paintings of nine songs of the Ming and Qing dynasties.
Keywords/Search Tags:Ming and Qing Dynasties, Paintings of nine songs, Ninesongs, iconography
PDF Full Text Request
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