The Spread And Evolution Of The Popular Songs In Ming And Qing Dynasties In

Since ancient times, Yunnan has a strong political, economic and cultural exchanges with the mainland. The mainland Chinese people are constantly migrating to Yunnan are the main media and media of mainland music culture in Yunnan. Before the Ming Dynasty, the mainland people to move into Yunnan, basically is "civilian clothes from the custom ", the gradual integration of Yunnan local people, music culture is so.Large-scale military and civilian village and merchant village immigrants has completely changed the overall appearance of Yunnan in the Ming and Qing dynasties. The Han nationality has gradually become the main body of Yunnan. Yunnan’s culture is dominated by ethnic minorities, turning to the Chinese culture as the main body of the diversity of the cultural structure.The folk songs of the Ming and Qing Dynasties, flourished in the mainland in the period of Ming and Qing a unique musical art form, it is in the Ming and Qing Dynasties to professional or semi professional artists for the creation of the performing subject scholars participated in, to city folk workshop with instrumental accompaniment pop songs popular, and by these popular songs or involvement of acrobatics, drama and the instrumental music. Yunnan, the no,immigrants from mainland China will "folk songs" to Yunnan, immigration is not only in the Ming and Qing Dynasties "folk songs" in Yunnan to the spread of the main and the communication of the main media and mass. When Yunnan become unified China provinces and the customs of the country music as "folk songs" in Yunnan inherit and spread the important guarantee and communicating the abolishment of the system. The folk songs of the Ming and Qing Dynasties with immigration and migration, where immigrants, "folk songs" on the spread to where, thus forming a to Han immigrants inhabit a region as the center of the cultural circle of "folk songs" and to the surrounding continuous diffusion, inhabited by the Han, Han and minority inhabited areas and minority settlements area "folk songs" in number, music and music forms are presented gradually decreasing trend. Of the period of Yongzheng of Qing Dynasty "Gai Tu GUI Liu" makes "folk songs" in Yunnan the communication range of continuous expansion, but the Yueji system abolished, but also makes the "folk songs" in Yunnan spread the "elegant" decay "vulgar" Sheng situation, plain "folk songs" by people chase after hold in both hands, not only to expand the scope of streaming, was also absorb other forms of music art, which not only to grow their own, spread themselves, also show Yan created its own, become the true folk folk songs.Because of the natural environment of Yunnan and is located in the border area of the Central Plains culture admiration and other reasons, it is due to the abolishment of the system security. With immigrants from mainland China together into Yunnan many of the Ming and Qing Dynasties folk song "still retains more primitive state, they become not only Han nationality preservation characteristics of important cultural form of entertainment, also in constant transformation, integration and adaptation of Yunnan minority music culture, and thus contributed to the formation and development of Yunnan variety of folk art, eventually become Yunnan multi-ethnic common love of the art form. They have played a great role in the construction of Chinese musical culture in Yunnan, which is in cultural identity, national identity and diversity.