| Cizhou kiln was established in the Northern Dynasty,and it really rose in the Song Dynasty.After the continuous development of the Song,Jin and Yuan Dynasties,it reached its peak in the Yuan Dynasty and is the most influential folk kiln in the north.As the largest folk kiln in the north,Cizhou kiln has been innovated since the Northern Dynasty and has undergone continuous development in Song,Jin,and Yuan Dynasties.Despite social turmoil and complex culture,it still maintains its production development.This subject is centered on the porcelain pillows with white ground and black flowers from the Cizhou kiln.As a product of folk kilns,Cizhou kiln white ground and black flower porcelain pillow has formed its own unique charm under the balance of production income and free creation.The article specifically analyzes the various factors of the development and formation of the porcelain painting style of Cizhou kiln porcelain pillows in the Song,Jin and Yuan dynasties,and discusses the similarities and differences between the creation forms of porcelain pillow porcelain painting and traditional Chinese painting.And in-depth study of the cultural connotations of Cizhou kiln porcelain pillows in different development stages,as well as the development,changes and formation factors of Cizhou kiln porcelain pillow culture.This topic focuses on the decorative style of the porcelain pillow with white ground and black flowers in the Cizhou kiln,and discusses the reasons for the formation of its style and the cultural changes it contains.The first part defines the concept,and sorts out and summarizes the relevant books,papers,journals and other materials.The second chapter is about the scope of Cizhou kiln series,and a brief review of the development history of Cizhou kiln’s white ground and black flower porcelain pillow.The third chapter explores the background and influencing factors of the formation of the style of porcelain pillows and porcelain paintings.The reason why Cizhou Kiln,as the largest private kiln in the north,has been able to persist and develop despite historical changes,is inseparable from the word "folk".of.The fourth chapter focuses on the porcelain paintings of Cizhou kiln porcelain pillows in Song,Jin and Yuan dynasties,and compares the subject matter,composition,perspective,and techniques of the Cizhou kiln porcelain pillow paintings with traditional Chinese paintings,and finds the Cizhou kiln porcelain pillows.The inner connection between the decorative style of white ground and black flowers and traditional Chinese painting and calligraphy is that they are in the same line and are highly similar.And focus on finding out the difference between the white floor and black flower porcelain painting of the Cizhou kiln porcelain pillow and the traditional Chinese painting and calligraphy,which definitely shows the achievements and uniqueness of the white floor and black flower decoration of the Cizhou kiln porcelain pillow.The fifth chapter discusses the changes of the Cizhou kiln’s white-ground and black-flower porcelain pillow culture from the initial stage of folklore,the diversified mature stage and the prosperous stage with definite characteristics,and it is influenced by the academy’s style painting and The cultural characteristics of the two major painting concepts of literati painting are analyzed in detail,reflecting the reproduction of Cizhou kiln porcelain pillows on the Northern Song Dynasty style paintings,and the influence of literati paintings and literati spirits on Cizhou kiln porcelain pillows,and the literati paintings and literati spirit.He played a leading role in the porcelain painting of white ground and black flower porcelain pillows in the Cizhou kiln,directly and extensively participated in the production,and unified its decorative style and aesthetic taste. |
