The Role And Position Of Erhu In The National Chamber Music From The Silk String Quintet "Happy Night"

This work is a representative track of the string quintet in its heyday.From the aspects of creative techniques,performance techniques,and emotional atmosphere,it has played a great role in promoting the National chamber music.It is an epoch-making innovation of the National chamber music.Erhu is a distinctive linear musical instrument in folk music,and its tone is unique.Therefore,erhu has different roles and positions in the expression of different musical images in national chamber music.This article is based on the understanding of the author's life and creation,and carries out a special performance analysis of the work "Happy Night",analyzing the performance techniques of Erhu in his works,and on this basis,returning to his works.Dig deep into the unique role and position of erhu in this work.The first is the leading role.According to the needs of the expression of the music image,the erhu will be used as the main instrument in the orchestration arrangement,and other musical instruments will be performed around erhu;The second is to set off the effect,this is the main position of other musical instruments,erhu and other voices to form a support and cooperation;The third is the auxiliary role.In this work,a very typical Polyphony technique is fully used,and the three parts of the voice are the characters and characteristics of the response Polyphony,the alignment Polyphony,and the imitation Polyphony.All these functions have profoundly demonstrated the distinctive solo instrument of the erhu.In the arrangement and performance of the National chamber music,it has completely broken through its solo functions,and its role and status have been greatly enhanced.