Study On Chen Chun's Painting Poems

There are many achievements in the art works of Chen Chun,the art of the Ming Dynasty,but few of his poems have been studied,but only to study his paintings or calligraphy.This article will explore the 147 poems of Chen Chun in the Ming Dynasty to explore the personality spirit in his poems,and then discuss the artistic spirit of Chen Chun in the Ming Dynasty and its influence on the later generations.This article is divided into six chapters.The first chapter introduces the reasons and significance of the study of Chen Chun's painting poetry in the Ming Dynasty,the overview of the research background,the research ideas and research methods;the second chapter mainly expounds the life experience of Chen Chun and the relationship between them,and then discusses the influence of the two on his later poetic and artistic creation;third In order to study the personality spirit of Chen Chun's painting poems of the Ming Dynasty,the author first combed the common classical aesthetic images in China,then introduced the meaning of the common images and the relationship between the emotional tendencies of the Chinese people,and finally analyzed the images commonly used in the poems of Chen Chun in the Ming Dynasty.In the fourth chapter,after the analysis of the aesthetic image,the fourth chapter makes a detailed analysis of the aesthetic interest reflected in the Ming Dynasty painting poetry,and then from the natural and unrestrained personal portrayal,the unrestrained and unrestrained life,the free and generous life body.In the three aspects,combining the representative poems and paintings of Chen Chunfu in the Ming Dynasty,the author explores and analyzes his personality spirit.The fifth chapter focuses on the relationship between Chen Chun's poems in Ming Dynasty and the social trend of thought at that time,especially the relationship between Wang Yangming's heart study and the whole literary trend of the Ming Dynasty,his painting poems and his personal life experience.The relationship is divided into three stages to interpret the spirit of personality contained in Chen Chun's painting poems in Ming Dynasty.The sixth chapter focuses on the artistic spirit of Chen Chun in the Ming Dynasty,and the influence on his later artists;in particular,Chen Chun's paintingtheory,which is put forward by Chen Chun,has a direct influence on the creation of a group of artists such as Xu Wei,the eight mountains,the eight strange Yangzhou,and Qi Baishi.The concluding part summarizes the artistic and spiritual characteristics of Chen Chun's paintings in the Ming Dynasty,and fully affirms that his position in the history of Chinese art is fully affirmed.