Study On Figure Painting In Wei, Jin, Southern And Northern Dynasties

From Wei to Sui dynasty,although it was only three hundred years,this period is so fascinating.His calligraphy art and character painting art have achieved unspeakable achievements,and laid a solid artistic foundation for future generations.This thesis mainly takes the figure paintings of the Wei,Jin and Southern and Northern Dynasties as the research object,and conducts in-depth and concrete analysis from the three aspects of Buddhist figure painting,scholar painting and female figure.This article is divided into six chapters.The first chapter mainly reviews the research status of figure painting in Wei and Jin Dynasties.The second chapter mainly analyzes the background of the era of the Wei,Jin,Southern and Northern Dynasties in the three aspects of politics,economy and culture.The third chapter mainly introduces several style characteristics of Indian Buddhist figure paintings,and the style and evolution of early Buddhist statues in China under the influence of Indian Buddhist figure paintings.Then,the painting styles of specific painters and representative Buddhist figures were analyzed and enumerated.The fourth chapter mainly analyzes the scholars’ paintings from the portraits and styles of the scholars,the portrayal of daily life,and the murals of the tomb.From the screen,I can understand the outlook on life,values ??and life and death of the scholars at that time.Focus on the idea of ??Shengxian.The fifth chapter mainly takes Gu Yuzhi’s "Legend of Women’s Wisdom","History of Women’s History" and "Luo Shen Fu Tu" as emotional materials,from the perspective of the pen painting,coloring and composition of the characters,and focuses on the argumentation column.The educational significance of the female figure.The sixth chapter makes a brief explanation of the influence of the portrait paintings of the Wei,Jin,Southern and Northern Dynasties.This paper believes that the Wei,Jin,Southern and Northern Dynasties figure paintings are deeply influenced and constrained by Buddhism,Xuan Dao,and education.Through the aesthetic creation of the painter,these influences and constraints are expressed in the picture.