Balance And Alienation On Yang Jiang's Literary Criticism

Since the beginning of literary creation in the 1930 s,Yang Jiang has leaped from modern literature to contemporary literature.In her literary career of more than 80 years,she has many identities as a writer,dramatist,translator and critic.For various reasons,Yang Jiang always maintains a balanced but alienated relationship with literature,but her achievements in Chinese literature in the 20 th century are obvious to all.First of all,as a writer,Yang Jiang's novel,prose,drama and other literary styles blend ancient and modern,elegant and popular appreciation,reflecting the personality ideal of traditional intellectuals,has become one of the hot spots in recent years.In the introduction part,we first analyze the origin of the problem and the significance of the topic selection,including the definition of Yang Jiang's status in the modern literary world,his literary creation,literary monographs and other literary history values;secondly,on this basis,we make a general summary of the current research situation,and analyze the hot spots and directions of Yang Jiang's research in the academic circles at this stage;finally,we use the text to read and research.By means of comparative study,this paper explores the dislocation and lack of Yang Jiang's research in the academic circles,and then puts forward the value and research prospect of Yang Jiang's literary criticism.The main body of the paper is discussed from five levels.Chapter one explores the origin of Yang Jiang's literary criticism and the formation of his literary criticism.First,from the perspective of the history of literary criticism,it explores the construction of Chinese traditional literary criticism and the awakening of modern literary criticism consciousness.From the traditional Chinese poetry,words and notes to the May 4th New Cultural Movement,the awakening and awakening of the subjectivity of literary criticism until the 1930 s.Modern Chinese literary criticism has begun to mature,all of which are the theoretical basis of Yang Jiang's literary criticism;secondly,it is from Yang Jiang's own factors to explore the causes of his literary criticism,on the one hand,the impact of Yang Jiang's literary reading and life experience on his literary criticism,which are the internal factors of his literary theory and critical concept.On the other hand,Yang Jiang's subjective identity caused the change of critical perspective.Yang Jiang's subjective identity is a combination of writers,translators and literary critics.His literary criticism is also a combination of many theoretical resources,whichdetermines that Yang Jiang's literary criticism is the product of the collision of various cultures and theoretical resources.The second chapter of the thesis explores the theoretical connotation and characteristics of Yang Jiang's literary criticism.First,Yang Jiang follows the realistic criticism idea,and presents Yang Jiang's literary criticism from three aspects: the realistic criticism spirit of "human" orientation,the realistic criticism guided by "artistic truth" theory and the critical mode of shaping "typical" characters.The second is the realistic characteristics of academic criticism;the second is the criteria for criticism of the author and "narrative reliability".Firstly,the author is invisible and thinks that the narrator can not be equated with the author himself;secondly,the author intervenes and thinks that the narrator's "narrative reliability" is doubtful,and then expresses Yang Jiang's own theoretical framework and her criteria for criticism of literature.The third chapter of the thesis is to further explore Yang Jiang's methods of literary criticism.First,it is the experiential criticism of "feeling pregnant".Yang Jiang's literary criticism absorbs the self-appreciation of western impressionism and pays attention to the intuitive feelings after reading.Second,it is the comparative criticism of the integration of China and the West,sticking to the traditional Chinese criticism theory and integrating it with the Western criticism theory.Third,it is the comprehensive complementary empirical criticism,which Yang Jiang never used.By consciously applying it,it began to arouse doubts,reflecting its intention to seek scientific and rigorous ways of argumentation in literary criticism.The fourth chapter of the thesis is the text presentation of Yang Jiang's rationality and perception.Firstly,it is the rational presentation of Yang Jiang's literary criticism form.On the one hand,it is a rigorous version textual research and extensive and detailed annotations,on the other hand,it is a traceable academic noun textual research;on the other hand,it is the artistry of the critical language.From the content and rhetoric,it makes a detailed analysis of Yang Jiang's humor,so as to show Yang Jiang's profound linguistic skills.The fifth chapter is the evaluation and reflection of Yang Jiang's literary criticism.First,it is the self-reconciliation and the pursuit of a balanced criticism polyhedron.On the one hand,it is the author's self-choice,on the other hand,it is the reconciliation of criticism ideas and practice;on the other hand,it is the contradiction and limitation: Yang Jiang's position in the history of Chinese literary criticism.On the one hand,the confusion of the times,the contradiction of criticism,on the other hand,the inherent defects,the limitations of criticism.Yang Jiang,as a minority of "centuries old people" spanning the two literary periods of Chinese modern literature and contemporary literature,has a literary career lasting 80 years and is an important scholar in Chinese literature of the twentieth century.Although Yang Jiang's academic achievements have been controversial in a certain historical stage,her achievements in literary creation have gradually been recognized by the literary circles with the development of the historical process.But for a long time,her position in the history of Chinese literary criticism has been neglected and underestimated.Although the number of Yang Jiang's literary creation is not much compared with that of other writers of the same period,and the number of her literary criticism creation and publication is very limited,it does not hinder our love and recognition of her literary criticism.It can be seen that Yang Jiang is not "winning by quantity",but rather "winning by quantity" than by many high-yielding writers.