The Study Of Violence Aesthetics In Film Art Take The Director Style Of John Woo And Kitano Takeshi As An Example

Violence aesthetics was originally a new vocabulary used to evaluate director Wu Yusen's works,but it gradually developed into a common name for film expression.In real life,whether it is the old-fashioned saying that brave people win by meeting brave people in a narrow way,or the heroic plot of chivalrous people,or the large-scale hand tour that is popular in the whole society and can express their emotions smoothly.It is no surprise that these popular forms of art involve elements of violence,which play an important role.As one of the most primitive instincts,violence is indeed the best inducement to attract attention.But the reality is different from the movie,without special effects and special scenes,everyone is the body,no right to start from scratch.So while using violence to attract audiences,avoiding the essence of violence and bloodshed becomes the core issue of swordsman movies.The main body of this paper is divided into three chapters.The first chapter summarizes the development of violence aesthetics film,summarizes the definition and development process of violence aesthetics,and the realistic worries it produces.The second chapter analyses the specific presentation of violence aesthetics in movies,taking Wu Yusen and Kitano's typical violence aesthetics movies as examples.See two famous Oriental Violence Aesthetics masters,how to seize the audience's interest and create the peak experience of visual effect for the viewers.Chapter III summarizes the expression paradigm and development enlightenment of violence aesthetics in the film.It deeply analyses the expression of violence aesthetics by Kitano and Wu Yusen,and how they use violence,dispel violence and sublimate violence.This paper makes an in-depth analysis of the poetic style of Hong Kong swordsman movies and the aesthetic characteristics of Japanese black movies in order to see the essential significance of violence aesthetics.The introduction leads to the full text,including the background and significance of the topic,literature review,research methods,innovations and other issues.At the end of the paper,the author summarizes the full text and expresses his thoughts.Through the introduction of the changes and development of violent aesthetic films above,the author focuses on the analysis of the performance content and directing style of Wu Yusen and Kitano's violent aesthetic films,summarizes the basic paradigm of violent aesthetic films,and puts forward pertinent suggestions for the development of violent aesthetic films in connection with the current situation of violent aesthetic styles in the film market.In order to show the value of John Woo and Kitano's violent aesthetic films,the author condemns the director's style of violence aesthetics,which purposely creates seductive images under the guise of violence aesthetics and completely removes the artistry and value of violence aesthetics.