Takeshi Kitano's Films Violence Aesthetics Research

This paper focuses on the analysis of how the Japanese director Takeshi Kitano's violence aesthetics is shown in movies.The article consists of four parts.The first part mainly introduces the life experience of takeshi kitano and the changes of his film style.The second part is the theoretical explanation of violence aesthetics.These include the definition of violence,the definition of violent movies,and how violence becomes aesthetic;The third part mainly analyzes the violence aesthetics in the north wild war films,such as the instantaneous violence,the violence in the same place,and the pure silence in the north wild war movies.The fourth part compares takeshi kitano with American director quentin tarantino and Hong Kong director John woo.It analyzes the unique style of violence aesthetics in takeshi film.The violence aesthetics in takeshi films is more complicated,and his violent aesthetics has the tranquil side of traditional Japanese culture,and also shows the naked side of violence.This paper analyzes the films of takeshi kitano from the perspective of globalization,and explores the creation methods and cultural background of the violence aesthetics of takeshi kitano through the close reading of the film.The violence aesthetics of takeshi kitano is supported by Japanese culture,which combines western film creation techniques.His violence is known for its calm and objectivity.Under the wave of violence aesthetics,he stood out in the film industry and became an international director of violent aesthetics.His violence has the thought of death,the inquiry of human nature,the embodiment of culture and the shock of vision.As a director of the Japanese temple,he constantly explored the path of violence aesthetics and eventually formed his own image style.The development of violence aesthetics has opened a new way for Japanese films and Asian films.