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On The Transformation Theory Of Han Shaogong’s Rural Narrative Since The New Era

Posted on:2020-11-12Degree:MasterType:Thesis
Country:ChinaCandidate:Y LiFull Text:PDF
GTID:2415330578974484Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:
Han Shaogong is an ideological writer.His literary creation has always been in the process of constantly transcending himself,changing our inherent imagination of literature.He has been doubtful and vigilant about any literary trend,and his works have repeatedly caused controversy and discussion in the field of contemporary literary criticism.This paper attempts to look at the rural narratives since Han Shaogong’s new era from these complicated voices,clarify the transformation of Han Shaogong’s^thoughts and styles,and think about the value and signifieance of his transformation while put it into the cultural transformation background since the 1990s.The first chapter looking at the transformation of Han Shaogongfs literary creation from the ideological dimension of the rural narrative.The transformation mainly reflects in below:Han Shaogong,s creative thought is a criticism for national ilferiority in the 1980s and an imaginary for Western modernized countries turning to a criticism for enlightenment.In this process,the intellectual elite’s enlightenment position gradually concealed and gradually returned to the private sector.The second chapter looking at the transformation of Han Shaogong’s literary creation from the stylistic dimension of the rural narrative.In the 1990s,his novels gradually abandoned the European-style novel mode and entered the inter-speech writing.It is mainly embodied in three aspects.The structure of the novel is from linear narrative to fragmentary expression.The narrative content is inspired by the ancient hybrid literature tradition,adding non-fiction factors in the narrative,especially in the theoretical narratives;the narrative mode is hidden by authors early,then jumped out of the story to show the reader’s point of view.This model is influenced by the form of "subjective narrative" which is common in classical novels.The third chapter making a value judgment on Han Shaogong’s literary transformation from the writer himself and the cultural context of the 1990s.In the 1990s,faced with the impact of moderm media and the limitations of the European narrative model,Han Shaogong’s novel creation get into the predicament of aphasia.His transformation is a successful breakthrough in the crisis of the style of the novel.In the process of breaking through,he gradually established the literary ideal and creative concept of building spiritual sanctuaries for people,which marked the maturity and improvement of his creation.Standing in the literary context of the time,when the whole literary world was filled with moden anxiety,Han Shaogongfs literary transformation with the creative ideas of Western thoughts and the traditional experience of ancient Chinese novels was a timely adjustment to the already existing crisis of speech.Han Shaogong’s creative transformation took place at the dawn of the root-seeking literature.This article re-examines Han Shaogong’s creative trajectory,especially his literary turn,which can provide a case reference for us to explore post-rooted literature,and also provide theoretical reflection for the classicization and re-criticism of contemporary important writers.
Keywords/Search Tags:Han Shaogong, rural narratives, literary transformation
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