Study On The Contemporary Of Freehand Heavy Color Painting

In the 1990s,after the emergence of the new art movement,a group of Chinese artists began to re-examine contemporary art.They reviewed the profound historical roots and cultural traditions of national art,integrated the feelings and hearts generated by The Times,and conducted extensive and profound experiments in the field of ink painting.Among them,the "freehand brushwork school" presents the fresh artistic appearance,its idea and the time conformity,the painting style develops a school of its own.The artist breaks away from the shackles of the classical aesthetic concept,draws lessons from the western plane and the color constitution idea,the transformation "trace"and "image" time boundary.It also tries to trace the profound and extensive historical roots of traditional art,revive the visual code of traditional brush and ink savings and the long-standing national aesthetic taste,and construct the contemporary artistic language of freehand brushwork and heavy color painting.In trajectory heavy variety "freehand brushwork in traditional Chinese painting" for clues,combined with relevant academic discussions,painting art exhibition,individual laws and features,analysis of freehand brushwork contemporary esthetic and artistic representation,exploring the artist how to achieve the unity of the subject and the contemporary situation of mind,how to realize the Oriental pattern towards the world stage,to grasp the freehand brushwork era characteristics.