Study On The Design Of Ceramics In Southern Song Dynasty Under The Influence Of Neo-Confucianism

Song Porcelain is the peak of the development of ancient Chinese porcelain,especially Southern Song Porcelain,which contains the profound cultural connotations of the two Song Dynasties and forms a unique aesthetic feeling.Among them,the aesthetic feeling with the characteristics of the times is the result of many factors,such as the preference of the ruling class,the aesthetic appreciation of scholar-bureaucrats,cultural guidance,technological development and so on.The thought of Song Dynasty's agent science was unprecedentedly prosperous,the social status of scholars was unprecedentedly improved,and the city culture was colorful.Under such background,the elegant and implicit rational beauty of Southern Song ceramics was created.Firstly,through literature review,this paper combs the basic context of the development of Neo-Confucianism,briefly states the important nodes and representatives in the process of its development,and discusses the formation of the Shangwen style in the Southern Song Dynasty,the great development of the scholar-bureaucrat class,and the transformation of Neo-Confucianism itself.Secondly,by consulting the literature and comparing the changing trend of the overall style of ceramics from Tang Dynasty to Southern Song Dynasty,this paper mainly focuses on the style characteristics of official kilns in Southern Song Dynasty,supplements the kilns such as Longquan Kiln and Jingdezhen Kiln,collates and analyses the unearthed and handed down objects,and objectively describes the quantity and quality of different functions of ceramics.Combining with historical background and humanistic factors,this paper explores some specific phenomena of Southern Song ceramics,and analyses the causes.Thirdly,with reference to literature,the core categories of Neo-Confucianism,such as "Tao Qi","Li Fen Di","Golden Mean","Respect","Ge Wu",are analyzed in depth,and the connotations related to aesthetics or creation are explored,and their influence on design ideas is discussed.This paper analyses the corresponding changes of the Southern Song ceramics in shape,glaze color and components,explores the influence of "ritual system" contained in Neo-Confucianism on the people of the Southern Song Dynasty,and the specific expression of rites in the ears and handles of utensils in life,etc.It also explores the relationship between "li" and "shape-down" in Neo-Confucianism from all aspects of its social impact.Finally,on the basis of material objects,the design and aesthetics of Southern Song ceramics are studied,and the aesthetic factors such as the shape and style of the former ceramics are compared,and the design ideas embodied in Southern Song ceramics are summarized.Ceramics,as daily utensils,are closely related to people's life.While not divorcing from the main role of human beings,we should grasp the relationship between "metaphysical reason" and "metaphysical instrument".