Interpretation On Drama Semiology Of Guizhou Anshun Folk Drama

Anshun folk drama is one of the traditional local artistic forms with the freshest vitality in village culture,it includes the spiritual pursuit of village people and it brings people with endless thinking and feeling with its vivid,rough and random artistic styles.We can observe the existing subject from the perspective of drama semi-ology,we can adopt the perspective of symbol to explore the information communication process among the subjects,which is to explore the significance of symbols between the two parties in the communication process,the relationship among symbols as well as the relationship between symbols and actors and audience etc..To tell in a specific way,we can interpret how folk drama actors realize character dramatization based on the aspects of clothes,music,mask,language and tone and so on.From the perspectives of the world construction in the drama and the possible world in the libretto as well as the realization of the world in the libretto,the author seeks for how local drama actors realize the change of audience about the image of the possible world into the taste of real space by the real performance.What is worthy to be mentioned is,the local drama which doesn't perform on the platform,has its unique communication mode and this mode directly influences the audience's construction on the secondary world,under the lead of the images that justice overcomes evil,heroes defeat crafty sycophants,individual belief and moral world can be repaired and reconstructed.Generally speaking,Anshun local drama is the explicit display of the village people's unique life experience and their mental emotion perception as Jiangnan adherents for hundreds of years.Such a kind of original artistic behavior that originated from fake witchcraft driven dance discovers the basic reality that human beings adapt themselves to the environment and positively dominate their own life activities.At the beginning of migration aiming to defeat the surrounding minorities to gradually suitable to the local environment and to improve themselves through working,the whole process helps them to establish the common thought and aesthetic feeling of the people living in the village.Its organic unification,the movement and development promoted the original artistic form to reflect the spiritual and emotional realm of the harmonious co-existence between the subject and the object in a rhythmic way.