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A Study On The Text Features And Performing Techniques Of Op.38 In Scriabin's Waltz

Posted on:2020-08-03Degree:MasterType:Thesis
Country:ChinaCandidate:Y LiuFull Text:PDF
GTID:2415330590456445Subject:Music and dance / music performance and teaching
Abstract/Summary:PDF Full Text Request
The creation of Russian pianist and composer Scriabin,1872-1915 can be divided into three periods.Early lyric sketches focus on the field of piano.In the middle period,the composer was influenced by philosophy and his thoughts matured gradually.He explored the unique harmony language,"mysterious chord",and gradually formed his own style in his piano and symphony creation.His later works are characterized by obscure musical vocabulary,simplification of genre,disorganization of tone,short and small motivations of theme,and so on.Scriabin wrote five "round dances" in his life.Song >,in which the work Op.38 happens to be in the "transition period" of his creation.On the basis of combing the artistic features of five "Waltz songs",this paper makes a comparative study on the following aspects: musical terms,spectral notation,dislocation rhythm and invisible rhythm,mysterious chord,pentatonic melody and additional sound part.This paper abstracts the style characteristics of Op.38 's "transition period",and probes into the performing art of the work in combination with his own performing profession.
Keywords/Search Tags:Scriabin, Waltz Op.38, Style features, Performance art
PDF Full Text Request
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