From Materials And Techniques To Aesthetics

This article takes the creation as the starting point to pay attention to the uniqueness of the language of lithograph ink painting technique,and seeks its possibility to learn from traditional ink painting.The paper is divided into the following four parts:The first chapter introduces the content,purpose,significance,and research of related literature.The second chapter briefly describes the development of lithographs in different cultural backgrounds between the East and the West.Through the comparison of the development process of the lithographs of the East and the West,it can be seen that the development of lithographs after the introduction of China has lagged behind.The third chapter begins with the three aspects of materials,techniques and aesthetics,and analyzes the characteristics and spiritual connotation of the lithograph ink language.In the material aspect,the unique texture of the texture is analyzed.In the technique section,the color characteristics of the colored stone prints are discussed.This chapter focuses on the aesthetic spirit section and analyzes the aesthetic differences between the ink stone prints and the ink paintings.Asking questions: The lithograph ink language draws on Chinese ink painting.The fourth chapter analyzes the possibility of the lithograph ink painting language borrowing from Chinese traditional ink painting through the analysis of the lithographs of Zao Wou-Ki and Chang.