On The Vocal Characteristics And Training Methods Of Spinto Soprano

There are often young soprano singers who have such confusion during the vocal learning phase: "What kind of soprano is I? Is the voice "large" or "small"? Is the feature "dramatic" or "lyric"? In the process of vocal music learning and stage practice,the author has pursued,analyzed,thought and summarized with such questions,and accumulated some research experiences and singing experiences.This study intends to use the classic works of Italian romantic opera master Verdi.Based on the singing art of the heroine "Aida" in Ida,combined with the experience and sentiment of singing part of Verdi opera and stage art practice,from the perspective of the featured soprano voice,the lyric drama soprano The sound characteristics and training methods of this "sound" are discussed.This paper begins with the basic characteristics of the drama lyrics,and by comparing with other types of soprano sounds,first establishes the basic concept of this feature "sound" : the drama lyrics have a wide range of treble,except for the low and medium sounds.Powerful,but also has a brilliant high pitch;the persistence of sound is stronger than the lyrical soprano,and the expression of lyric lyrics is more delicate than the dramatic soprano.In response to many young drama lyrical sopranos,there is confusion in the treble during the singing process.The author focuses on the problem of the sound-changing area in the text,systematically combing and interpreting the “true and false sound-changing areas”.The connotation of the concept of the sound-changing zone,such as the “transitional sound zone” and the “open zone after the transition”.These interpretations have both traditional and personal insights.This episode of the lyrical soprano and the soprano of the drama is a soprano sound,and of course it has become the "heavy weapon" and "the pearl of art" written by the opera masters.Verdi's opera "Aida" The heroine "Aida" is a classic example of a dramatic lyrical soprano singing.When Verdi wrote the opera "Aida",it was at the peak of the creation of the German composer Wagner.Self-taught Verdi was quite impressed by Wagner's superb technique in the creation of Aida.Wagner has a reference,the most prominent,is the addition of a large number of brass instruments,as well as a large band compilation and stage scenes,which makes the opera lyrics to interpret this opera to become Verdi's best.select.In the article,the author combines the practice of two arias "Return,Victory","Ah,My Hometown",and I use the experience of different sound zones in the sound field based on the full understanding of Ayida's character background.For the drama lyrics,the female treble summed up some effective training methods.I hope that the learners of these two arias can learn from and enlighten,and it will help to overcome the difficulty of singing two arias.